26th OUBS International Graduate Conference Call for Papers

Transgression in Late Antiquity and Byzantium

26th International Graduate Conference of the Oxford University Byzantine Society, 24th-25th February 2024, Oxford

We are pleased to announce the call for papers for the 26th Annual Oxford University Byzantine Society International Graduate Conference on the 24th – 25th February, 2024. Papers are invited to approach the theme of ‘Transgression’ within the Late Antique and Byzantine world (very broadly defined). For the call for papers, and for details on how to submit an abstract for consideration for the conference, please see below.

‘Seduced by love for you, I went mad, Aquilina … she, smouldering, not any less love-struck than me, would wander throughout the house … love alone became her heart’s obsession … Her tutor chased me. Her grim mother guarded her … they scrutinised our eyes and nods, and colouring that tends to signal thoughts … soon both of us began to seek out times and places to converse with eyebrows and our eyes, to dupe the guards, to put a foot down gingerly, and in the night to run without a sound. Our fiery hearts ignite a doubled frenzied passion, and so an anguish mixed with love rages … Boethius, offering aid, pacifies her parents’ hearts with “gifts” and lures soft touches to my goal with cash. Blind love of money overcomes parental love; they both begin to love their daughter’s guilt. They give us room for secret sins … yet wickedness, when permitted, becomes worthless, and lust for the deed languishes … so a sanctioned license stole my zeal for sinning, and even longing for such things departed. The two of us split up, miserable and dissatisfied in equal measure …’
Maximianus, Elegies, 3 (adapted tr. Juster)

The Late Antique and Byzantine world was a medley of various modes of transgression: orthodoxy and heresy; borders and breakthroughs; laws and outlaws; taxes and tax evaders; praise and polemic; sacred and profane; idealism and pragmatism; rule and riot. Whether amidst the ‘purple’, the pulpits, or the populace, transgression formed an almost unavoidable aspect of daily life for individuals across the empire and its neighbouring regions. The framework of ‘Transgression’ then is very widely applicable, with novel and imaginative approaches to the notion being strongly encouraged. In tandem with seeking as broad a range of relevant papers as possible within Late Antique and Byzantine Studies, some suggestions by the Oxford University Byzantine Society for how this topic might be treated include:

  • The Literary – deviance from established genres, styles or tropes; bold exploration of new artistic territory; penned subversiveness against higher authorities (whether discreetly or openly broadcasted); dissemination of literature beyond expected limits.
  • The Political – usurpers, revolts, breakaway regions, court intrigue, plots and coups; contravention of aristocratic or political hierarchies and their expectations; royal ceremonial and its changes, or imperial self-promotion and propaganda seeking to rupture or distort the truth.
  • The Geopolitical – stepping beyond or breaking through boundaries and borders, including invasions, expeditions, trade (whether in commodities or ideas), movements of peoples and tribes, or even the establishment of settlements and colonies.
  • The Religious and Spiritual – ‘Heresy’, sectarianism, paganism, esotericism, magic, and more; and, in reverse, all discussion of ‘Orthodoxy’, which so defined itself in opposition to that which it considered transgressive; monastic orders and practices (anchoritic and coenobitic) and their associated canons, themselves intertwined and explicative of what was deemed prohibited; holy fools and other individuals perceived as deviant from typical holy men.
  • The Social and Sartorial – gender-based expectations in public and private; the contravention (or enforcement) of status or class boundaries; proscribed or vagrant habits of dress, jewellery, fabrics, etc.
  • The Linguistic – transmission of language elements across regional borders or cultures, including loan words, dialectic and stylistic influences, as well as other topics concerning lingual crossover and interaction.
  • The Artistic and Architectural – the practice of spolia; the spread and mix of architectural styles from differing regions and cultures; cross-confessionalism evident from the layout or architecture of religious edifices; variant depictions of Christ and other holy figures; iconoclasm.
  • The Legal – whether it be examination of imperial law codes and their effectiveness or more localised disputes testified to by preserved papyri, all discussion concerning legal affairs naturally involves assessing transgressive behaviour and how it was viewed and handled.
  • It could even be that your paper’s relevance to ‘Transgression’ consists in its breaking out from scholarly consensus in a notable way!

Please send an abstract of no more than 250 words, with a short academic biography written in the third person, to the Oxford University Byzantine Society at byzantine.society@gmail.com by Monday 27th November 2023. Papers should be twenty minutes in length and may be delivered in English or French. As with previous conferences, selected papers will be published in an edited volume, peer-reviewed by specialists in the field. Submissions should aim to be as close to the theme as possible in their abstract and paper, especially if they wish to be considered for inclusion in the edited volume. Nevertheless, all submissions are warmly invited.

The conference will have a hybrid format, with papers delivered at the Oxford University History Faculty and livestreamed for a remote audience. Accepted speakers should expect to participate in person.

Index of Medieval Art: Database Training Session (Nov. 14)

The Index of Medieval Art will be holding a new online training session for anyone interested in learning more about the database! It will take place via Zoom on Tuesday, November 14, 2023 from 10:00 – 11:00 am EST.

This session, led by Index specialists Maria Alessia Rossi and Jessica Savage, will demonstrate how the database can be used with advanced search options, filters, and browse tools to locate works of medieval art. There will be a Q&A period at the end of the session, so please bring any questions you might have about your research!

Further information and registration can be found here: https://ima.princeton.edu/index_training/

2024 CAARI FELLOWSHIPS

THE CYPRUS AMERICAN ARCHAEOLOGICAL RESEARCH INSTITUTE (CAARI) in Nicosia, Cyprus, welcomes scholars and students specializing in archaeology, history, and culture of Cyprus and the eastern Mediterranean. CAARI is located in central Nicosia close to the Cyprus Museum and the Archaeological Research Unit of the University of Cyprus (both with major libraries), as well as the main business and commercial district. In addition to hostel accommodation for a total of twelve residents, the institute has excellent research facilities: a 10,000-volume library, comprehensive map and artifact collections, archival material, and facilities for Internet, scanning, photography, and polarising and optical microscopes.

Recipients of fellowships are required to spend time as residents of CAARI and to submit a written report for the CAARI newsletter.

CAARI offers fellowships specifically for graduate students, postdoctoral scholars, and scholars at all levels. All application forms can now be found within the CAORC website grant application portal.

For more information, see the Fellowships section of the website: http://caari.org/fellowships/

 

Position Announcement in Armenian Art and Architecture

Position Announcement: Arthur H. Dadian and Ara Oztemel Chair of Armenian Art and Architectural History, Tenured Full Professor.

Tufts University: School of Arts & Sciences: History of Art and Architecture.

Description
The Department of History of Art and Architecture at Tufts University seeks an outstanding scholar at the rank of tenured full professor to teach and advise undergraduates and graduate students in the MA in Art History and MA in Art History and Museums Studies programs. The department offers majors in Art History and in Architectural Studies, as well as several minors, including Museums, Memory, and Heritage.

Research focus should be on Armenian art, architecture, and visual culture of any time period, with additional interest and expertise in cultural connections, diasporic relations between Armenia and the wider world, as well as issues of cultural heritage preservation, among others. The successful applicant will be expected to teach art history undergraduate and graduate courses on Armenian art, architecture, and visual culture, on specific topics related to their own research, and broader thematic and/or theoretical threads that place Armenian Studies in larger art historical narratives.

Qualifications
The successful candidate will hold a Ph.D. and be internationally recognized, demonstrate outstanding scholarly accomplishments and promise of research, and exhibit a record of excellence in teaching at the undergraduate and graduate levels. The position seeks a tenured full professor, but applicants at the advanced tenured associate professor level will be considered.

Application Instructions
All application materials are submitted via http://apply.interfolio.com/134542

Please provide a cover letter, a CV, a research statement, a teaching statement that includes evidence of the candidate’s commitment to diversity, equity, and inclusion, teaching evaluations from the most recent two years of teaching to be uploaded in a single PDF, and a recently published journal article or book chapter of at least 8,000 words. Finalists will be asked to provide the names and contact information for three references.

For any questions regarding this position, please email amy.west@tufts.edu. Review of applications will begin on December 15, 2023, and will continue until the position is filled. All offers of employment are contingent upon the completion of a background check.

 

Connecting Histories: The Princeton and Mount Athos Legacy

From the Index of Medieval Art:

We are excited to announce a new multi-year project, Connecting Histories: The Princeton and Mount Athos Legacy, that aims to create an international team of faculty, staff, and students that will explore and bring awareness to the rich, complex, and remarkable historical and cultural heritage of Mount Athos, and its connection to Princeton. The collaborative team will engage in research, teaching, digitization projects, and descriptive cataloging over three years (2023–2026), exploring holdings throughout the Princeton campus, including Visual Resources and the Index of Medieval Art in the Art & Archaeology Department; the Mendel Music Library; and the Graphics Art Collection and Manuscript Division at Princeton University Library.

We have two short-term research opportunities opening up and details can be found in the ‘Announcements’ page of the website: https://athoslegacy.project.princeton.edu/

One of the two research positions is a part time graduate opportunity at the Index of Medieval Art. This is a two to three-month remote, part-time research opportunity to help incorporate key works of art on Mount Athos into the Index database. The position would require the student to examine the Index legacy records, update the metadata, identify new color images, and incorporate them on the online database. They will be trained in Index norms in cataloging works of art, describing the iconography, transcribing inscriptions, and adding bibliographic citations. This opportunity offers a stipend of $2,500 and has been generously funded by the Seeger Center for Hellenic Studies, with the support of the Dimitrios and Kalliopi Monoyios Modern Greek Studies Fund and Art & Archaeology Department at Princeton University.

For more details about eligibility criteria and the application process, please check the ‘Announcements’ page: https://athoslegacy.project.princeton.edu/announcements/

Lecture: The Ethical Museum: Reflections on Cultural Mission and Civic Responsibility in a Changing Landscape

In “The Ethical Museum: Reflections on Cultural Mission and Civic Responsibility in a Changing Landscape,” Daniel H. Weiss explores the evolving civic role of the art museum while facing longstanding challenges and an increasingly polarized environment.

Where Oak Room, Dumbarton Oaks and via Zoom

When November 9, 2023 06:00 PM to 07:00 PM

For more information, and to register, see the Dumbarton Oaks website: https://www.doaks.org/events/byzantine-studies/public-lectures/the-ethical-museum-reflections-on-cultural-mission-and-civic-responsibility-in-a-changing-landscape

The American art museum has experienced sustained levels of growth and increasing popularity across generations, yet it is today at a crossroads, facing unprecedented challenges to its historic mission, cultural identity, and sense of purpose. Notwithstanding recent progress in expanding collections, generating new programs, and serving increasingly diverse audiences, new approaches are required to face longstanding challenges and sustain recent progress in an increasingly polarized environment.

This lecture will explore the context for the current environment and the evolving civic role of the art museum, considering the need to balance historic mission with the expectation for greater transparency and new thinking on such issues as cultural property rights, sustainable funding and problematic donors, diversifying collections and programs, responding to activism and protests, uses of AI and digital platforms, and especially the need for higher levels of public trust. To achieve these objectives the museum must continue to evolve while placing greater emphasis on the ethical components of its civic mission.

Daniel Weiss is Homewood Professor of the Humanities at Johns Hopkins University and President Emeritus of the Metropolitan Museum of Art, where he served from 2015-2023. Previously Weiss was the 14th President of Haverford College, the 16th President of Lafayette College, and the James B. Knapp Dean of the Zanvyl Krieger School of Arts & Sciences at Johns Hopkins University, where he also served as professor and chair of the History of Art Department.

Weiss has written or edited seven books and numerous articles on the art of the Middle Ages, higher education, the Vietnam War, museums, and other topics. His most recent books include Why the Museum Matters (2022) and In That Time: Michael O’Donnell and the Tragic Era of Vietnam (2019). His work has been supported by grants from the National Endowment for the Humanities, the Andrew W. Mellon Foundation, Dumbarton Oaks Center for Byzantine Studies at Harvard University, and the Samuel H. Kress Foundation. An elected member of the American Academy of Arts and Sciences and the Council on Foreign Relations, Weiss is Vice Chair of the Board of the Samuel H. Kress Foundation, Vice Chair of the Library of America, a member of University Council at Yale, and a trustee of the Wallace Foundation and the Posse Foundation.

Daniel Weiss holds a PhD in the History of Art from Johns Hopkins University and an MBA from the Yale School of Management.

 

Lecture: Measuring Weather: The Windvane and the Nilometer in Byzantine Art and Texts

The Mary Jaharis Center for Byzantine Art and Culture is pleased to announce the next lecture in our 2023–2024 lecture series.

Monday, November 6, 2023 | 12:00 PM EST | Zoom
Measuring Weather: The Windvane and the Nilometer in Byzantine Art and Texts
Paroma Chatterjee, University of Michigan
This lecture draws attention to the monumental scientific devices that appear in the Byzantine literary and pictorial tradition. Specifically, it focuses on the windvane (anemodoulion) that stood for centuries in Constantinople before its destruction during the Fourth Crusade (1204 CE), and the Nilometer used for measuring the rising levels of the Nile, and which is depicted in textiles, mosaics, and other media. In considering these objects, the lecture makes the case that bucolic imagery (which we find associated with the windvane and the Nilometer in its visual representations) was deemed most suitable for devices linked to measuring and signaling weather patterns. Finally, the lecture proposes that the bucolic mode was linked to these objects as its conventions articulated the contingency of the relations between humans, non-humans, and nature.

Paroma Chatterjee is Professor of Byzantine and medieval Mediterranean art history at the University of Michigan, Ann Arbor.

Advance registration required at https://maryjahariscenter.org/events/lecture-by-measuring-weather

Contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture with any questions.

BSC: register, join BSANA, and the ArriveCan app

Please see below for announcements regarding the upcoming Byzantine Studies Conference:
Sent on behalf of the Nominating Committee:
For members attending the Byzantine Studies Conference, please send nominations and self-nominations for the Governing Board to BSANA President Lynn Jones as soon as possible (email: bsana.president@gmail.com).
Sent on behalf of Brad Hostetler, Program Committee Chair:
Get ready for the Byzantine Studies Conference in Vancouver, October 26–29!
Remember to register for the conference: https://www.sfu.ca/hellenic-studies/bsc2023.html
All speakers must be a member of BSANA in good standing. Join or renew your membership today: https://bsana.net/members/
It might be helpful for folks arriving from the US who are not Canadians or Landed Immigrants to know that they can speed up their time getting through Canadian customs and immigration with the ArriveCan app.
See you in Vancouver!

Reminder: DOP Virtual Open House

The editors of Dumbarton Oaks Papers wish to remind you about our Virtual Open House on Wednesday, October 18, from 12:00–1:00pm EDT.

Join Colin Whiting and Nikos Kontogiannis for a conversation about Dumbarton Oaks Papers. We will cover the scope and current direction of DOP, the submission and review process, and tips for submitters. Following our discussion, there will be an open Q&A in which audience members are welcome to ask the editors any questions about the journal.

The event will take place on Zoom; registration is required at the link below:

https://www.eventbrite.com/e/dumbarton-oaks-papers-virtual-open-house-tickets-722788599157?aff=oddtdtcreator

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