Lien zoom (Samedi) :
The 21st Vagantes Conference on Medieval Studies will take place at the Cleveland Museum of Art and Case Western Reserve University in Cleveland, Ohio from March 24th–26th, 2022. Vagantes is an interdisciplinary community of junior scholars that offers an excellent opportunity for sharing new research. Submissions on non-Eurocentric topics or medievalism are also encouraged! Conference activities will include an opening recital, banquet, and various workshops. A keynote lecture will be given by Dr. Elina Gertsman (CWRU). Abstracts of 300 words with paper title and a 1–2 page CV (including applicant’s preferred name and pronouns) in one PDF are due Monday, November 29th, 2021.
5th “Parekbolai” Symposium on Byzantine Literature and Philology
December 10, 2021
“Self-Portrait in Byzantine Literature”
The e-journal Parekbolai invites paper proposals on “Self-Portrait in Byzantine Literature” for a virtual symposium to be held on December 10, 2021.
This call is open to and aimed at scholars in all stages of their career. Ph.D. candidates and postgraduate students are especially encouraged to apply.
Presentations (preferably in Greek or English) should last 20 minutes and abstracts (max. one page) should be submitted to: Ioannis Vassis (firstname.lastname@example.org) or Sofia Kotzabassi (email@example.com) by October 30, 2021.
Online: May 9, – May 14, 2022
Medieval Institute at Western Michigan University, Kalamazoo, MI, USA
BYZANTIUM BIZARRE: STORYTELLING THROUGH SACRED SPACES
Invitation: Submission of Abstracts
Deadline: 15 September 2021
We cordially invite the submission of abstracts for our session “Byzantium Bizarre: Storytelling through sacred spaces” at the 2022 International Congress on Medieval Studies, taking place online from May 9-14, 2022.
Church architecture, sacred locations and legend can produce a bizarre interplay in the late antique and Byzantine Mediterranean. Particularly interesting are extraordinary churches that tell a story or have a legend, tradition, or mythology attached to them, revealing the human fascination toward the bizarre. In our panel, we look forward to discussing these sociocultural aspects of Byzantine churches, particularly those linking material to the sacred spaces, architecture, and archaeology.
The role of storytelling is manifest in creating or reframing tradition and mythology, for example the Church of St. Symeon Stylites, or the repurposing of natural formations (e.g., Constantinian- period caves in Jerusalem). The attitudes and understandings of the monuments, both contemporary and modern, inform the knowledge of what makes their setting and architecture important. Through an archaeological and architectural analysis, we can understand sociocultural aspects of such monuments and their meanings. Our panel will examine examples of this relationship between legend and monument and their influences on each other to create a holy place throughout the Byzantine empire. Following the themes of mythology, legend, and storytelling, we invite papers discussing archaeological and architectural materiality and art historical objects, but also historical perspectives and liturgical specialties.
Please submit the abstract for your paper (300 words abstract plus a short description of 50 words) by September 15, 2021, through the conference portal at wmich.edu/medievalcongress/
The poster and brochure for the annual Byzantine Studies Conference in Cleveland (December 9-12) are now available on our website.
The Arthur H. Dadian and Ara Oztemel Chair of Armenian Art at Tufts University and the Mary Jaharis Center for Byzantine Art and Culture at Hellenic College Holy Cross in Brookline, MA, are pleased to invite abstracts for the next Studying East of Byzantium workshop: Studying East of Byzantium VIII: Material Culture.
The three-part workshop intends to bring together doctoral students studying the Christian East to reflect on how to study the material world of the Christian East, to share methodologies, and to discuss their research with workshop respondents, Marica Cassis, University of Calgary, and Kate Franklin, Birkbeck, University of London. The workshop will meet on November 19, 2021, February 18, 2022, and June 6–7, 2022, on Zoom. The timing of the workshop meetings will be determined when the participant list is finalized.
We invite doctoral students working in any discipline of East Christian studies to discuss the role of material culture—monuments, archaeological sites, artifacts, images—in their research and to consider questions such as how the tools of the study of material culture can assist in understanding the realities of the Christian East? What is the difference between material culture and art-historical and archaeological approaches? How does attention to the non-verbal world harmonize with or challenge historical narratives based on textual study?
Participation is limited to 10 students. The full workshop description is available on the East of Byzantium website (https://eastofbyzantium.org/
For questions, please contact East of Byzantium organizers, Christina Maranci, Arthur H. Dadian and Ara Oztemel Chair of Armenian Art, Tufts University, and Brandie Ratliff, Director, Mary Jaharis Center for Byzantine Art and Culture at firstname.lastname@example.org
EAST OF BYZANTIUM is a partnership between the Arthur H. Dadian and Ara Oztemel Chair of Armenian Art at Tufts University and the Mary Jaharis Center for Byzantine Art and Culture at Hellenic College Holy Cross in Brookline, MA. It explores the cultures of the eastern frontier of the Byzantine Empire in the late antique and medieval periods.
Papers are sought for two sessions: Armenian Studies: Literature and Art I and II to be proposed for the 57th International Congress on Medieval Studies (Kalamazoo, ONLINE: May 9-14, 2022), organized by Dr. Michail Kitsos (University of Toronto)
Classical and medieval Armenian literature and material culture offer a plethora of information about Armenian history, culture, theology, and politics during late antiquity and the Middle Ages. Despite the importance of classical and medieval Armenian sources, these remain understudied. Armenian Studies I & II: Literature and Art aim to demonstrate the importance of the study of classical and medieval Armenian literary sources and material culture and to highlight the role of Byzantine and Medieval Armenia by exploring literary contacts, interactions, the perception and the impact of Byzantine cultural tradition on the Armenian life, and exchanges between Armenia and its neighbors.
These two sessions aim to demonstrate the importance of classical and medieval Armenian sources and material culture for the study of Byzantium and beyond in Late Antiquity and the Middle Ages. We welcome papers that study different literary genres such as chronicles, theological treatises, narratives, letters, legal texts, as well as various forms of artistic expression in order to explore points of interaction, cultural exchange, literary contacts, and polemics between Armenia and its neighbors. Through these sessions, we aim to provide a multifaceted perspective of the role of medieval Armenia between Byzantium and Islam.
To submit a paper proposal, you are kindly requested to do so no later than September 15, 2021 using the conference portal: wmich.edu/medievalcongress/call.
If you have any questions, please do not hesitate to contact the organizer: Dr. Michail Kitsos at email@example.com
Recent work on subjecthood and patronage in Byzantine studies has shown the import of formulas and models, especially in light of liturgical and literary ones, for understanding and presenting the self. At the same time, theories of queerness and intersectionality have been used to bring greater awareness to previously overlooked medieval identities. Drawing on these discourses, this panel revisits traditional sites of self-presentation, such as seals, donation images, and objects of commemoration to ask how these issues were visualized. How did patrons with marginal or liminal identities represent themselves? Or why would a patron choose to represent themselves via a figure whose identity did not fit neatly into societally defined categories? For example, why would a man choose an angel as his emblem? At stake is how we recognize and interpret medieval self-identification. Speakers are encouraged to address de-centered subjects, either patrons or iconographies, and ask how the arena of self-presentation can aid our understanding of what liminal and marginal meant to medieval patrons and viewers. Deadline for Submissions: Wednesday, September 15, 2021.
This virtual conference, which will take place on September 17–18, 2021, gathers diverse scholars from across the globe whose research touches on all aspects of Syriac iconography and visual culture in any geographic region from late antiquity throughout the Middle Ages, to roughly 1400 C.E. It is structured around roundtable workshop sessions for pre-circulated papers, disseminated to registered participants approximately one month in advance. The conference is hosted by the Department of Art & Archaeology at Princeton University, with additional support from the Committee for the Study of Late Antiquity (CSLA) and the Center for Collaborative History (CCH).
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