In Memoriam: Vera Zalesskaya (1938 – 2023)

V.N. Zalesskaya, Dr. habil., was a leading researcher in The State Hermitage Museum’s Oriental Department and a curator of the collection of Byzantine Applied Art. She worked in the Hermitage for 62 years—from 1961 to 2023—first as a museum guide and then as a full-time postgraduate student. She entered the Oriental Department in 1965 as a researcher and was later a curator of the collection of Byzantine Applied Art (between 1984 and 2023). For several years she also held the post of Head of the Sector of Byzantium and the Near East.

Black and white photo of a woman wearing glasses and a patterned sweater.
Vera Zalesskaya

Vera Nikolaevna Zalesskaya was born on September 17, 1938 in the city of Morshansk, in the Tambov Region of Russia, to accomplished parents. Her father, Nikolai Nikolaevich Zalessky, was a historian and specialist in the history of Ancient Rome. He worked as a professor at Leningrad University. Her mother, Vera Vatslavovna Zalesskaya, was a doctor who worked at the Filatov Hospital in Leningrad.

Vera began her history education in 1956. After graduating from high school in Leningrad, she was accepted by the Faculty of History into Leningrad University where she received fundamental practical knowledge in the archeology of the Middle Ages. While studying there, she participated for four field seasons of work on the Galicia-Volyn architectural and archaeological expedition led by Professor Mikhail Karger.

Vera began her initial work with The State Hermitage Museum in Saint Petersburg after graduating from the Department of Art History in June of 1961 with honors granted by the Faculty of History of the Leningrad University (named after A.A. Zhdanov). She was then sent by the Ministry of Culture of the USSR to work in The State Hermitage Museum as a museum guide. In August of that year, she was enrolled as a contractor museum guide in the Hermitage Excursion Department.

After this experience, she was accepted as a full-time postgraduate student at the Oriental Department of The State Hermitage Museum in November 1962, specializing in the history of Byzantium. She successfully completed her postgraduate studies at The State Hermitage Museum in 1965. In May of 1965 she transferred from the Excursion Department to the Oriental Department of the Hermitage as a researcher. (Later, after the death of Alice Bank in 1984, she would become a curator of the collection of Byzantine Applied Art). Between 1962 and 1970, Vera prepared a dissertation titled, “Syrian Artistic Metal of the Byzantine Period and its Historical Significance (to the role of Syria in the applied art of Byzantium).” Vera Zalesskaya was awarded the degree of PhD in history by the decision of the Scholarly Council of the Faculty of History of the Leningrad University on December 10, 1970.

Beyond her PhD training, Dr. Zalesskaya’s career continued with additional advanced education and a number of publications. In 1997 she published a compact monograph, Applied Art of Byzantium of the 4th – 12th Centuries (including 59 pages, with 41 illustrations), which she also defended as a dissertation. She was awarded a Dr. habil. degree in 1998 by the Faculty of History of Moscow State University (which was named after M.V. Lomonosov).

In her career, Vera Zalesskaya was the author of numerous articles on the culture and art of Byzantium that were published in Russian scholarly journals, yearbooks, and collections of articles, as well as in English and French. These include several substantial catalogs published by The State Hermitage Museum. Monuments of Byzantine Applied Arts of the 4th– 7th Centuries: Catalog of the Hermitage Collection (271 pages with illustrations) was published in 2006. In 2011 she published Masterpieces of Byzantine Applied Art: Byzantine Ceramics of the 9th – 15th centuries: Catalog of the Collection (254 pages, including illustrations). Byzantine Artistic Metalwork, Ninth-Fifteenth Centuries: Catalog of the Collection (207 pages, with illustrations) was published in 2021.

From 1991 to 2022 Vera was a scholarly editor and co-editor of The State Hermitage Museum’s Proceedings on Byzantium, titled “Byzantium within the Context of World Culture.” From the 1970s onward she participated in the International Congresses of Byzantine Studies, presenting several papers. As a curator at the Hermitage, she took part in various exhibitions on Byzantine art in the Hermitage and other museums of the USSR/ Russia, as well as in museums of Europe and the USA. She was a co-curator of The Road to Byzantium: Luxury Arts of Antiquity, an exhibition at the Courtauld Institute of Art in London, England in 2006.

On July 29, 2023, Dr. Vera Zalesskaya passed away after a brief illness. She is remembered by colleagues for her 62 years as a generous curator at the Hermitage and for her archaeological work at the medieval site at Chersonesos.

CFP: Belligerent Saints: Violence in Eastern Christian Hagiography

Call for Papers: Belligerent Saints: Violence in Eastern Christian Hagiography (Session #5088) (ICMS Kalamazoo, May 9 – 11, 2024)
As the war in Ukraine has demonstrated, the lives of the saints, especially the Byzantine military saints, continue to be weaponized in favor of wars of conquest. While violence done to saints features prominently in the martyr accounts and is ubiquitous in hagiographic texts, some saints perpetrated acts of violence, whether against themselves, demons, or most-surprisingly, other people. The cults of the so-called military saints in Byzantium and their transmission have been the most thoroughly investigated; however, other saints and their engagement in violent acts remain relatively understudied. Exploring these neglected examples will help us to interrogate Christianity’s relationship to violence and to better understand how the cult of the saints contributed to social change in Byzantium.
We invite papers that explore questions about saints as enactors of violence. While we welcome submissions about military saints, we are especially interested in papers that examine lesser-known belligerent saints who have no cultic association with the military. In addition to studies based on individual vitae, we welcome contributions that explore hagiographical dossiers that appear in metaphrastic collections, synaxaria, menologia, as well as stories about saints appearing in historiographical sources and material. Proposals should explore themes of valorization of, witnessing of, and responses to violence as well as the conceptual boundaries between spiritual and physical violence. Proposals might consider against which groups saints commit violence and how these groups change according to time and place; whether individuals are targeted by saints; what kind of institutional or property damage is committed by saints; in what ways are acts of violence held up as exemplary. Outside of these possible topics, proposals on any topic related to violence and sanctity will be considered.
Please submit proposals to https://icms.confex.com/icms/2024/cfp.cgi by September 15, 2023.
In collaboration with our sponsors, we will make every effort to help defray the cost of attendance for presenters. If you have a question about this or anything else, contact Dan Berardino (daniel_berardino@berkeley.edu) and Nick Churik (nchurik@princeton.edu).

2023 BSC Preliminary Program and Session Chairs

2023 Conference announcements:
The preliminary program for the 49th Annual Byzantine Studies Conference can now be downloaded via the BSANA Conference page. The conference will be held 26–29 October 2023 in Vancouver. Don’t forget to register for the conference, and be sure that your BSANA membership is up-to-date!
Call for chairs:
If you are interested in chairing a session (see the openings on the program, highlighted in yellow), please let 2023 Program Chair Brad Hostetler (hostetler1@kenyon.edu) know your preferred session(s) and he will add you to the official program.

H-Antiquity: Call for Editors and Advisory Board Members

The H-Net platform has numerous networks and is a valuable tool for scholars to connect and in an open and friendly environment. However, as a Roman historian who was looking for ways to become more active on H-Net, I discovered that there are no networks for scholars of the ancient world. Consequently, I aim to establish a new H-Net Network, H-Antiquity, and am seeking review editors, a network co-editor, and advisory board members.

The proposed H-Antiquity network is for the study of all aspects of the global ancient world from the Paleolithic through Late Antiquity. Scholars of both transnational and local studies in a range of fields, including history, art history, archeology, and anthropology, are encouraged to engage in discussion forums, blogs, reviews, archive collections, and other aspects of the network, which we hope to establish within the coming months.

To submit a formal application for H-Antiquity, the network needs to have at least four dedicated members serving either as editors or advisory board members. Once the project is underway, we will ultimately be seeking a total of three review editors, one network co-editor, and three advisory board members.

Review editors commission and edit reviews of recent publications or other material of interest to network subscribers. Reviewers are provided with several in-depth guides and support from H-Net. H-Net handles all book ordering and mailing and provides professional copyediting for every review.

Network editors moderate all posts in the network’s moderation queue (other than book reviews) and develop diverse academic content, such as conference reports, blog series, or podcasts.

Advisory Board Members help set network policies within the bounds of H-Net’s guidelines, and mediate disputes concerning editorial decisions. Common responsibilities for board members include helping with recruitment, serving as discussants on the network’s comment feed, and helping editors design and implement new projects.

Applicants should have strong qualifications (advanced candidacy or Ph.D.) and be willing to commit to a two-year term. Editorial positions can be filled by scholars at any stage in their careers while advisory board members should be well-established scholars. Ideally, applicants will have editorial experience, a wide range of expertise on global antiquity, be engaged in interdisciplinary scholarship, and have a broad interpretation of global antiquity. Candidates with diverse characteristics, including people of color, LGBTQIA+, and first-generation scholars, are encouraged to apply.

If interested, please contact Sheena Finnigan though her H-Net Profile with a brief expression of your interest, qualifications, and a CV. Please specify which position you are applying for.

Dumbarton Oaks sessions at ICMS (Kalamazoo) 2024

Dumbarton Oaks is sponsoring three really great sessions next year at the 2024 International Congress On Medieval Studies, May 9–11 at Western Michigan University in Kalamazoo, MI. Those interested in delivering a paper at one of our sessions should make sure to visit the call for papers: https://wmich.edu/medievalcongress/call. All submissions must be through the conference portal (click on “Make a Proposal” on the CFP page and then click on the dropdown menu for “Sponsored and Special Sessions of Papers,” and select the session you’re interested in from the list). The deadline for submissions is September 15: we hope to hear from everyone! This year’s sessions are:

 

Hybrid Session (presenters can be either in-person or virtual)

Apollonius of Tyre: Medieval Translation and Rereading

Organizer: Nicole Eddy

Delivery Mode: Hybrid

Principal Sponsoring Organization: Dumbarton Oaks Medieval Library

The story of Apollonius of Tyre is as widely traveled as its hero, with versions extant in Latin and an array of European vernaculars. The story finds its way into the Carmina Burana and the Confessio Amantis, and was enjoyed by readers from Castile to Greece. Its sensationalizing adventures of pirates and shipwrecks, evil kings and generous ones, love lost and families reunited, riddles, incest, and miraculous resurrections—all captivated medieval audiences. This session seeks papers that explore the Apollonius story in any of its adaptations. Submissions may employ any methodogy, and we welcome fresh approaches to this key work.

 

In-Person Sessions

Coins and Seals in Byzantium

Organizer: Jonathan Shea

Delivery Mode: Traditional in-person

Principal Sponsoring Organization: Dumbarton Oaks Research Library and Collection

Co-Sponsoring Organization(s): Princeton Univ. Numismatic Collection

Byzantine coins and seals survive in enormous numbers, and thus provide some of the most important sources of evidence for economic and administrative history, social and religious developments, onomastics and prosopography. This panel welcomes papers working on all aspects of coins and seals and although focusing on Byzantium is open to speakers working on materials from a comparative perspective.

 

The Red Sea in the Middle Ages

Organizer: Colin Whiting

Delivery Mode: Traditional in-person

Principal Sponsoring Organization: Dumbarton Oaks Research Library and Collection

This session focuses on the global medieval world using exchanges between the Eastern Mediterranean, the Red Sea, and the Indian Ocean as its basis. Papers will consider encounters that took place in Late Antiquity, when the northern Red Sea was under Roman rule, and especially the complex interplay between Byzantium, Arabic cultures, Africa, and the western Indian Ocean in the following centuries. Whether the Red Sea served as a commercial highway or as a hub for interconnected regional networks, it remains greatly important and yet understudied in medieval scholarship.

 

 

Upcoming Exhibition at The Met: Africa & Byzantium

Africa & Byzantium (opening November 19) will be a major exhibition of nearly 180 works that explores the tradition of Byzantine art and culture in Africa from the 4th through the 15th century and beyond. It will feature many international loans being exhibited in the United States for the first time, as well as dynamic, contemporary works that bring the complexities of the past into the present.

Art history has long emphasized the glories of the Byzantine Empire (ca. 330–1453), but less known are the profound artistic contributions of North Africa, Egypt, Nubia, Ethiopia, and other powerful African kingdoms whose pivotal interactions with Byzantium had a lasting impact on the Mediterranean world. Bringing together a range of masterworks—from mosaic, sculpture, pottery, and metalwork to luxury objects, paintings, and religious manuscripts—this exhibition recounts Africa’s central role in international networks of trade and cultural exchange.

With artworks rarely or never before seen in public, this long-overdue exhibition sheds new light on the staggering artistic achievements of medieval Africa and offers a more complete history of how the vibrant, multiethnic societies of north and east Africa shaped the artistic, economic, and cultural life of Byzantium and beyond.

This interdisciplinary exhibition will be of particular interest to faculty and students in Byzantine, African, and medieval studies; art and art history; theology and religion; classics; archaeology; and other related fields.

For more details, please see The Met’s exhibition webpage and the exhibition catalogue (now available for pre-order).

To make a reservation for a group visit, please see https://www.metmuseum.org/visit/group-visits.

CFP – Medieval Ritual Representations | ICMA session at CAA 2024

Call for Papers: “Medieval Ritual Representations: Model of or Model for?” sponsored by the International Center of Medieval Art (ICMA), which will take place at CAA’s 112th Annual Conference (Chicago, February 14–17, 2024).
The deadline for submissions is August 31, 2023.

Session co-organizers:
Robert S. Nelson | Yale University
Alice Isabella Sullivan |Tufts University

This session considers illustrations of medieval secular and/or religious rituals in any media and fromany region or religious group. The goal is to understand the function and agency of representations, starting from the opposite poles of model or model for, as Clifford Geertz interpreted ritual. Some images may be evidence of “wie es eigentlich gewesen,” as von Ranke put it, and the reality of medieval performances; others may be aspirational, describing ideal rituals overlayed with the ideological and political. How can we discern the function of medieval illustrations? Are illustrations faithful to textual sources, and if not, why? To whom are these images addressed? Who sees them, when, and how? In sum, why illustrate medieval rituals? Papers may address representations of rituals from any corner of the medieval world, from all parts of Europe, the Mediterranean, and beyond, and from any religion, including Christianity, Judaism, Islam, and others.
Please submit a title, abstract (max. 500 words), and a brief 2-page CV by August 31, 2023 to:
robert[dot]nelson[at]yale[dot]edu and alice[dot]sullivan[at]tufts[dot]edu.
Please indicate “CAA proposal” in the subject line.

CFP: IMC 2024: ‘Getting it Wrong in Late Antiquity’

Getting it Wrong in Late Antiquity: Call for Papers

International Medieval Congress, 1-4 July 2024, University of Leeds, UK

The Postgraduate and Early Career Late Antiquity Network (LAN)

The theme of next year’s IMC is ‘crisis’ – a word that is often recurrent in scholarship about the late antique world. Crisis itself is also usually associated with ideas of mistakes and failure, but how did late antique individuals and societies deal with being or doing wrong? Many late antique communities saw a fundamental wrongness in themselves and their world stemming from the Fall of Man and the coming apocalypse. This strand seeks to investigate how, and how far, ideas of wrongness shaped late antique societies. In a world irretrievably ribboned with error, what types of wrongness did late ancient people seek to correct, and why? How did people go about detecting wrongness in themselves, each other, and their environments? How far did they believe the eradication of wrongness from their world was a possible – or even a desirable – goal?

We invite postgraduate and early career researchers from a variety of backgrounds to discuss wrongness in late antiquity across a series of panels. The Late Antiquity Network was founded in 2012 to provide a platform for junior scholars working on a range of geographical and disciplinary areas within the period. We have held a number of workshops and conferences that aim to provide opportunities for junior researchers to present their research and build connections with others in the field and to discuss their work in a constructive environment. The participants in these panels are strongly encouraged to interpret wrongness in late antiquity within the context of their research interests. Applications from masters students, those in the early stages of their PhD, and those without a current institutional affiliation are particularly encouraged. Papers should be no more than 20 minutes, leaving 10 minutes for discussion and question time.

 Suggested areas for discussion include, but are not limited to:

  • Ideas about progress, apocalypse, and systems collapse

  • Wrongness and the fall of the Roman empire

  • Stories of notable mistakes in literature

  • Taxonomies of wrongdoing and strategies for redress: classification of criminal acts, composition of law codes, trials, acquittal, torture, punishment

  • Theories of disability and physical difference (especially scholarly approaches informed by Queer Theory and Critical Disability Studies)

  • Social and sexual deviants

  • Religious wrongness: heresiology, doubt, conversion, confession; theological ideas of in/fallibility; public displays of wrongness (penance, renunciation of former beliefs and associates, shame culture)

  • Error in the material record; spoliation, repair, abandonment

  • Speaking and writing incorrectly in ancient education: literary models, genres, rhetoric

  • Wrongness in nature: extreme weather events and their interpretation; monsters, omens, marvels and miracles which rely on the transgression of natural laws

  • Mistakes and blame at government/state level: historical narratives surrounding defeat and failure, elite blame culture, political scapegoats, damnatio memoriae, and the ‘righting’ of wrongs by political successors

Abstracts should be limited to 300 words and accompanied by a short academic bio (c. 100 words). The deadline for submission is 11:59pm (GMT) on Thursday, 31st August 2023. Abstract submissions and/or queries should be sent to lateantiquenetwork@gmail.com.

Ella Kirsh (Brown) and Henry Anderson (Exeter)

LAN Steering Committee

Dumbarton Oaks Papers Announcements

The editors of Dumbarton Oaks Papers are excited to make two very welcome announcements.

First is that the journal has a new website: dopapers.org. Readers and potential authors can find everything they need here, from past issues to author guidelines to the composition of our editorial board. This new home serves as a convenient place for all information related to the journal, and we encourage visitors to browse around.

Second is that the journal is now available completely open access, with no charge for interested readers or authors who wish to publish with us. All past volumes DOP as well as the current volume are now available, and future volumes will be placed online shortly after the publication of the print volume. The journal will be placed under the Creative Commons CC BY-NC-ND license: articles may be copied and redistributed in any medium or format but require attribution. No commercial use or derivatives are permitted.

Production on DOP 77 (2023) is in full swing. Abstracts for this forthcoming volume can be found here: https://www.dopapers.org/for-readers/forthcoming-issues.

Meanwhile, we are still eagerly soliciting submissions for consideration in DOP 78 (2024). While DOP has in the past been a home exclusively for longer articles, we now also welcome the submission of shorter articles. Please submit anything of interest concerning the broader Byzantine world!

CFP: “Syriac Studies in the UK: Past, Present, Future”

On behalf of Alberto Rigolio (Durham University):

Call for papers: Conference “Syriac Studies in the UK: Past, Present, Future”

When: 21-23 March 2024

Where: Durham University

Abstract submission deadline: 31 October 2023

We are delighted to announce that the conference “Syriac Studies in the UK: Past, Present, Future” will take place at Durham University, on 21-23 March 2024. The conference focuses on the history of Syriac Studies in the UK and aims to celebrate and reflect on the work of scholars in this field across the past centuries.

A series of papers will focus on specific aspects of the history of Syriac Studies in the UK, including the biographies and intellectual contributions of scholars in/from the UK, the history and development of the field, the discovery, circulation and study of Syriac manuscripts, and the formation of Syriac library collections in the UK. Confirmed speakers include Siam Bhayro (Exeter), Sebastian Brock (Oxford), Chip Coakley (Cambridge/Jericho Press), Lindsey Davidson (Bristol), Susan Harvey (Brown), Kristian Heal (BYU), John Healey (Manchester), Erica Hunter (Cambridge), Christa Müller-Kessler (Jena), George Kiraz (IAS Princeton/Gorgias Press), Salam Rassi (Edinburgh), Alison Salvesen (Oxford), David Taylor (Oxford), Francis Watson (Durham), and John Watt (Cardiff).

In addition, we invite abstract proposals for 15-minute papers, illustrating the ongoing or future research by contemporary scholars in the field of Syriac Studies. We invite proposals from doctoral students, early and mid career researchers, and established academics for papers on any topic related to Syriac Studies, such as ongoing or future research projects, forthcoming or recent publications, or ideas for public outreach – and we also especially welcome papers on the history of the field.

We aim to create a space to learn about and discuss past, present, and future research directions in our field. There will be abundant opportunities for discussion in a supportive environment, and we hope that this will be a useful venue for dialogue and exchange. We kindly encourage you to circulate this call among students and those who might not be on this mailing list.

Proposals for 15-minute papers (max. 350 words + short bibliography) should be sent to conferencesyriacintheUK@gmail.com by October 31st, 2023.

In order to support the participation of doctoral and early-career researchers, a limited number of college rooms in Durham will be available free of charge for doctoral and early-career speakers who may not be eligible for full support from their home institution. If this applies to you, please indicate it when you send your abstract, and add your academic CV in attachment. In addition, meals for all speakers will be covered.

The conference is made possible thanks to the generous support of the Durham Centre for Early Christianity, the Department of Classics and Ancient History at Durham University, and the British Academy.

Please address any query to Andy Hilkens (andy.hilkens@ames.ox.ac.uk) or Mara Nicosia (mara.nicosia@durham.ac.uk).

We hope to see you all in Durham!

Organizing and Scientific Committee

Andy Hilkens (British Academy Newton International Fellow, University of Oxford)

Mara Nicosia (British Academy Newton International Fellow, Durham University)

Alberto Rigolio (Associate Professor, Durham University)

Francis Watson (Chair in Early Christian Literature, Durham University)

Ted Kaizer (Professor in Roman Culture and History, Durham University)

Karl Heiner Dahm (Leverhulme Early Career Fellow, Durham University)

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