CfS: Medieval Academy Digital Humanities Showcase

The Graduate Student Committee of the Medieval Academy of America is seeking presenters for the second edition of its Digital Humanities Showcase, scheduled to take place over Zoom on 30th January, 2024. We invite scholars in any field or discipline of global medieval studies who use innovative technologies in their study or teaching of the Middle Ages to share their work with a broad audience of medievalists. This virtual gathering will serve as a forum for scholars, both emerging and established, to gather and learn about, as well as celebrate, their achievements and work in the digital humanities, broadly conceived. Above all, the GSC’s Digital Humanities Showcase is meant to be fun and exciting, giving participants and presenters alike the chance to share ideas and connect. Presentations should be no more than ten minutes in length and explain the impact of the applied technologies on medieval studies. The content of the presentations should be accessible to scholars from all disciplines while also maintaining a high quality of research. If possible, we encourage presenters to include a demonstration of their technology, methodology, or approach.

Applications should include a 2-page CV as well as a brief abstract of no more than 200 words. Submissions should be sent to William Beattie at wbeattie@nd.edu and gsc@themedievalacademy.org by Friday, 15 December 2023. Selected speakers will be notified by the end of December.

Possible topics could include, but are not limited to:

  • Digital modelling of religious and secular spaces

  • Virtual reconstructions of manuscripts

  • New innovations in mapping

  • Immersive technologies such as mixed- or virtual-reality headsets

  • Sensory recreations—spaces, sounds, textures, tastes, etc.

  • Classroom or research applications for technology

  • X-ray, imaging, and other scientific analyses to research palimpsests, artworks, and manuscripts

  • Examinations of medieval technologies through modern reconstructions and analyses

CFP: Canadian Conference of Medieval Art Historians, Montreal, March 15-16, 2024

The 43rd Canadian Conference of Medieval Art Historians will be hosted by Concordia University’s Department of Art History on March 15-16, 2024.  Papers in English or French are invited on any topic relating to the art, architecture, and visual/material culture of the Middle Ages or its post-medieval revivals.

Please submit a short abstract (250 words) and one-page c.v. to ccmah2024@gmail.com by January 12, 2024. Scholars at every stage of their careers are encouraged to submit proposals.

With our best wishes,

Cecily Hilsdale, Steven Stowell, and Kristine Tanton

Le 43e colloque canadien des historiens de l’art médiéval sera accueilli par le Département d’histoire de l’art de l’Université Concordia les 15 et 16 mars 2024.  Des communications en anglais ou en français sont souhaitées sur tout sujet relatif à l’art, l’architecture et la culture visuelle/matérielle du Moyen Âge ou de ses renouvellements post-médiévaux.Veuillez soumettre un court résumé (250 mots) et un CV d’une page à ccmah2024@gmail.com avant le 12 janvier 2024. Les chercheurs à tous les niveaux de leur carrière sont encouragés à soumettre des propositions.

Bien cordialement,

Cecily Hilsdale, Steven Stowell, and Kristine Tanton

 

CCMAH 2024 Organizing committee:

Cecily Hilsdale (cecily.hilsdale@mcgill.ca)

Steven Stowell (steven.stowell@concordia.ca)

Kristine Tanton (kristine.tanton@umontreal.ca)

 

Round Table Proposals for Vienna Congress due soon

Sent on behalf of Leonora Neville.

If you would like to submit a proposal for a Round Table for the 25th International Congress of Byzantine Studies to be held in Vienna August 24-29, 2026 through the US national committee, please email the proposal directly to me: leonora.neville@wisc.edu.  The US national committee can submit up to 10 proposals by December 31st, 2023.  So far, I have received 6 and expect two more.  If we end up with more than 10 proposals the US national committee (consisting of Leonora Neville, Cecily Hilsdale, Andrea Achi, and Benjamin Anderson) will ask some of the organizers to submit through different national committees. To give us time to do this, we ask that you get your proposals to us by December 1, or at minimum let us know to expect one.

There will be time to submit regular session proposals next year.

Thanks for helping us contribute to an excellent international congress.

26th OUBS International Graduate Conference Call for Papers

Transgression in Late Antiquity and Byzantium

26th International Graduate Conference of the Oxford University Byzantine Society, 24th-25th February 2024, Oxford

We are pleased to announce the call for papers for the 26th Annual Oxford University Byzantine Society International Graduate Conference on the 24th – 25th February, 2024. Papers are invited to approach the theme of ‘Transgression’ within the Late Antique and Byzantine world (very broadly defined). For the call for papers, and for details on how to submit an abstract for consideration for the conference, please see below.

‘Seduced by love for you, I went mad, Aquilina … she, smouldering, not any less love-struck than me, would wander throughout the house … love alone became her heart’s obsession … Her tutor chased me. Her grim mother guarded her … they scrutinised our eyes and nods, and colouring that tends to signal thoughts … soon both of us began to seek out times and places to converse with eyebrows and our eyes, to dupe the guards, to put a foot down gingerly, and in the night to run without a sound. Our fiery hearts ignite a doubled frenzied passion, and so an anguish mixed with love rages … Boethius, offering aid, pacifies her parents’ hearts with “gifts” and lures soft touches to my goal with cash. Blind love of money overcomes parental love; they both begin to love their daughter’s guilt. They give us room for secret sins … yet wickedness, when permitted, becomes worthless, and lust for the deed languishes … so a sanctioned license stole my zeal for sinning, and even longing for such things departed. The two of us split up, miserable and dissatisfied in equal measure …’
Maximianus, Elegies, 3 (adapted tr. Juster)

The Late Antique and Byzantine world was a medley of various modes of transgression: orthodoxy and heresy; borders and breakthroughs; laws and outlaws; taxes and tax evaders; praise and polemic; sacred and profane; idealism and pragmatism; rule and riot. Whether amidst the ‘purple’, the pulpits, or the populace, transgression formed an almost unavoidable aspect of daily life for individuals across the empire and its neighbouring regions. The framework of ‘Transgression’ then is very widely applicable, with novel and imaginative approaches to the notion being strongly encouraged. In tandem with seeking as broad a range of relevant papers as possible within Late Antique and Byzantine Studies, some suggestions by the Oxford University Byzantine Society for how this topic might be treated include:

  • The Literary – deviance from established genres, styles or tropes; bold exploration of new artistic territory; penned subversiveness against higher authorities (whether discreetly or openly broadcasted); dissemination of literature beyond expected limits.
  • The Political – usurpers, revolts, breakaway regions, court intrigue, plots and coups; contravention of aristocratic or political hierarchies and their expectations; royal ceremonial and its changes, or imperial self-promotion and propaganda seeking to rupture or distort the truth.
  • The Geopolitical – stepping beyond or breaking through boundaries and borders, including invasions, expeditions, trade (whether in commodities or ideas), movements of peoples and tribes, or even the establishment of settlements and colonies.
  • The Religious and Spiritual – ‘Heresy’, sectarianism, paganism, esotericism, magic, and more; and, in reverse, all discussion of ‘Orthodoxy’, which so defined itself in opposition to that which it considered transgressive; monastic orders and practices (anchoritic and coenobitic) and their associated canons, themselves intertwined and explicative of what was deemed prohibited; holy fools and other individuals perceived as deviant from typical holy men.
  • The Social and Sartorial – gender-based expectations in public and private; the contravention (or enforcement) of status or class boundaries; proscribed or vagrant habits of dress, jewellery, fabrics, etc.
  • The Linguistic – transmission of language elements across regional borders or cultures, including loan words, dialectic and stylistic influences, as well as other topics concerning lingual crossover and interaction.
  • The Artistic and Architectural – the practice of spolia; the spread and mix of architectural styles from differing regions and cultures; cross-confessionalism evident from the layout or architecture of religious edifices; variant depictions of Christ and other holy figures; iconoclasm.
  • The Legal – whether it be examination of imperial law codes and their effectiveness or more localised disputes testified to by preserved papyri, all discussion concerning legal affairs naturally involves assessing transgressive behaviour and how it was viewed and handled.
  • It could even be that your paper’s relevance to ‘Transgression’ consists in its breaking out from scholarly consensus in a notable way!

Please send an abstract of no more than 250 words, with a short academic biography written in the third person, to the Oxford University Byzantine Society at byzantine.society@gmail.com by Monday 27th November 2023. Papers should be twenty minutes in length and may be delivered in English or French. As with previous conferences, selected papers will be published in an edited volume, peer-reviewed by specialists in the field. Submissions should aim to be as close to the theme as possible in their abstract and paper, especially if they wish to be considered for inclusion in the edited volume. Nevertheless, all submissions are warmly invited.

The conference will have a hybrid format, with papers delivered at the Oxford University History Faculty and livestreamed for a remote audience. Accepted speakers should expect to participate in person.

2024 SPBS Spring Symposium in Byzantine Studies

Call for communications: The 55th SPBS Spring Symposium in Byzantine Studies will be held at the University of Kent (Canterbury, UK), from 13th-15th April 2024. The topic is ‘Justice in Byzantium’, a topic especially pertinent in our turbulent modern societies. Justice is one of the pillars on which every civilisation should be based even though it is not always granted for all, and Byzantium was no exception. Its inhabitants had to deal with justice-related issues in everyday life, but theoretical, religious, and philosophical implications were also involved in its very conception. These ideas are not merely reflected in written laws but in historical and literary works, as well as in unwritten rules, customs, and traditions.

Panels will discuss social, civil, divine, and criminal justice, as well as concepts of revenge and unwritten/ written rules. Our keynote speaker is Daphne Penna (Groningen). Confirmed speakers include Dionysios Stathakopoulos (Cyprus), Carlos Machado (St Andrews), Arietta Papaconstantinou (Reading), Rosemary Morris (York), Anna Kelly (St Andrews), Lorena Atzeri (Milan), Mike Humphreys (Cambridge), Catherine Holmes (Oxford), Robert Wiśniewski (Warsaw), Caroline Humfress (St Andrews), Peter Sarris (Oxford), Matthijs Wibier (Cincinnati), Simon Corcoran (Newcastle), Dan Reynolds (Birmingham), Shaun Tougher (Cardiff), and Maroula Perisanidi (Leeds).

Those interested in presenting a Communication (15 mins max) should contact Laura Franco (laura.franco@libero.it) with a title and abstract by December 15th 2023. For any queries relating to the Symposium, please contact Anne Alwis (a.p.alwis@kent.ac.uk). Once the conference website with booking details is live, a further email will be circulated.

CFP(s): Dumbarton Oaks Sessions at 2024 International Congress On Medieval Studies

Dumbarton Oaks is sponsoring three really great sessions next year at the 2024 International Congress On Medieval Studies, May 9–11 at Western Michigan University in Kalamazoo, MI. Those interested in delivering a paper at one of our sessions should make sure to visit the call for papers: https://wmich.edu/medievalcongress/call. All submissions must be through the conference portal (click on “Make a Proposal” on the CFP page and then click on the dropdown menu for “Sponsored and Special Sessions of Papers,” and select the session you’re interested in from the list). The deadline for submissions is September 15: we hope to hear from everyone! This year’s sessions are:

Hybrid Sessions (presenters can be either in-person or virtual)

Apollonius of Tyre: Medieval Translation and Rereading

Organizer: Nicole Eddy

Delivery Mode: Hybrid

Principal Sponsoring Organization: Dumbarton Oaks Medieval Library

The story of Apollonius of Tyre is as widely traveled as its hero, with versions extant in Latin and an array of European vernaculars. The story finds its way into the Carmina Burana and the Confessio Amantis, and was enjoyed by readers from Castile to Greece. Its sensationalizing adventures of pirates and shipwrecks, evil kings and generous ones, love lost and families reunited, riddles, incest, and miraculous resurrections—all captivated medieval audiences. This session seeks papers that explore the Apollonius story in any of its adaptations. Submissions may employ any methodogy, and we welcome fresh approaches to this key work.

 

In-Person Sessions

Coins and Seals in Byzantium

Organizer: Jonathan Shea

Delivery Mode: Traditional in-person

Principal Sponsoring Organization: Dumbarton Oaks Research Library and Collection

Co-Sponsoring Organization(s): Princeton Univ. Numismatic Collection

Byzantine coins and seals survive in enormous numbers, and thus provide some of the most important sources of evidence for economic and administrative history, social and religious developments, onomastics and prosopography. This panel welcomes papers working on all aspects of coins and seals and although focusing on Byzantium is open to speakers working on materials from a comparative perspective.

 

The Red Sea in the Middle Ages

Organizer: Colin Whiting

Delivery Mode: Traditional in-person

Principal Sponsoring Organization: Dumbarton Oaks Research Library and Collection

This session focuses on the global medieval world using exchanges between the Eastern Mediterranean, the Red Sea, and the Indian Ocean as its basis. Papers will consider encounters that took place in Late Antiquity, when the northern Red Sea was under Roman rule, and especially the complex interplay between Byzantium, Arabic cultures, Africa, and the western Indian Ocean in the following centuries. Whether the Red Sea served as a commercial highway or as a hub for interconnected regional networks, it remains greatly important and yet understudied in medieval scholarship.

CFP: Belligerent Saints: Violence in Eastern Christian Hagiography

Call for Papers: Belligerent Saints: Violence in Eastern Christian Hagiography (Session #5088) (ICMS Kalamazoo, May 9 – 11, 2024)
As the war in Ukraine has demonstrated, the lives of the saints, especially the Byzantine military saints, continue to be weaponized in favor of wars of conquest. While violence done to saints features prominently in the martyr accounts and is ubiquitous in hagiographic texts, some saints perpetrated acts of violence, whether against themselves, demons, or most-surprisingly, other people. The cults of the so-called military saints in Byzantium and their transmission have been the most thoroughly investigated; however, other saints and their engagement in violent acts remain relatively understudied. Exploring these neglected examples will help us to interrogate Christianity’s relationship to violence and to better understand how the cult of the saints contributed to social change in Byzantium.
We invite papers that explore questions about saints as enactors of violence. While we welcome submissions about military saints, we are especially interested in papers that examine lesser-known belligerent saints who have no cultic association with the military. In addition to studies based on individual vitae, we welcome contributions that explore hagiographical dossiers that appear in metaphrastic collections, synaxaria, menologia, as well as stories about saints appearing in historiographical sources and material. Proposals should explore themes of valorization of, witnessing of, and responses to violence as well as the conceptual boundaries between spiritual and physical violence. Proposals might consider against which groups saints commit violence and how these groups change according to time and place; whether individuals are targeted by saints; what kind of institutional or property damage is committed by saints; in what ways are acts of violence held up as exemplary. Outside of these possible topics, proposals on any topic related to violence and sanctity will be considered.
Please submit proposals to https://icms.confex.com/icms/2024/cfp.cgi by September 15, 2023.
In collaboration with our sponsors, we will make every effort to help defray the cost of attendance for presenters. If you have a question about this or anything else, contact Dan Berardino (daniel_berardino@berkeley.edu) and Nick Churik (nchurik@princeton.edu).

H-Antiquity: Call for Editors and Advisory Board Members

The H-Net platform has numerous networks and is a valuable tool for scholars to connect and in an open and friendly environment. However, as a Roman historian who was looking for ways to become more active on H-Net, I discovered that there are no networks for scholars of the ancient world. Consequently, I aim to establish a new H-Net Network, H-Antiquity, and am seeking review editors, a network co-editor, and advisory board members.

The proposed H-Antiquity network is for the study of all aspects of the global ancient world from the Paleolithic through Late Antiquity. Scholars of both transnational and local studies in a range of fields, including history, art history, archeology, and anthropology, are encouraged to engage in discussion forums, blogs, reviews, archive collections, and other aspects of the network, which we hope to establish within the coming months.

To submit a formal application for H-Antiquity, the network needs to have at least four dedicated members serving either as editors or advisory board members. Once the project is underway, we will ultimately be seeking a total of three review editors, one network co-editor, and three advisory board members.

Review editors commission and edit reviews of recent publications or other material of interest to network subscribers. Reviewers are provided with several in-depth guides and support from H-Net. H-Net handles all book ordering and mailing and provides professional copyediting for every review.

Network editors moderate all posts in the network’s moderation queue (other than book reviews) and develop diverse academic content, such as conference reports, blog series, or podcasts.

Advisory Board Members help set network policies within the bounds of H-Net’s guidelines, and mediate disputes concerning editorial decisions. Common responsibilities for board members include helping with recruitment, serving as discussants on the network’s comment feed, and helping editors design and implement new projects.

Applicants should have strong qualifications (advanced candidacy or Ph.D.) and be willing to commit to a two-year term. Editorial positions can be filled by scholars at any stage in their careers while advisory board members should be well-established scholars. Ideally, applicants will have editorial experience, a wide range of expertise on global antiquity, be engaged in interdisciplinary scholarship, and have a broad interpretation of global antiquity. Candidates with diverse characteristics, including people of color, LGBTQIA+, and first-generation scholars, are encouraged to apply.

If interested, please contact Sheena Finnigan though her H-Net Profile with a brief expression of your interest, qualifications, and a CV. Please specify which position you are applying for.

Dumbarton Oaks sessions at ICMS (Kalamazoo) 2024

Dumbarton Oaks is sponsoring three really great sessions next year at the 2024 International Congress On Medieval Studies, May 9–11 at Western Michigan University in Kalamazoo, MI. Those interested in delivering a paper at one of our sessions should make sure to visit the call for papers: https://wmich.edu/medievalcongress/call. All submissions must be through the conference portal (click on “Make a Proposal” on the CFP page and then click on the dropdown menu for “Sponsored and Special Sessions of Papers,” and select the session you’re interested in from the list). The deadline for submissions is September 15: we hope to hear from everyone! This year’s sessions are:

 

Hybrid Session (presenters can be either in-person or virtual)

Apollonius of Tyre: Medieval Translation and Rereading

Organizer: Nicole Eddy

Delivery Mode: Hybrid

Principal Sponsoring Organization: Dumbarton Oaks Medieval Library

The story of Apollonius of Tyre is as widely traveled as its hero, with versions extant in Latin and an array of European vernaculars. The story finds its way into the Carmina Burana and the Confessio Amantis, and was enjoyed by readers from Castile to Greece. Its sensationalizing adventures of pirates and shipwrecks, evil kings and generous ones, love lost and families reunited, riddles, incest, and miraculous resurrections—all captivated medieval audiences. This session seeks papers that explore the Apollonius story in any of its adaptations. Submissions may employ any methodogy, and we welcome fresh approaches to this key work.

 

In-Person Sessions

Coins and Seals in Byzantium

Organizer: Jonathan Shea

Delivery Mode: Traditional in-person

Principal Sponsoring Organization: Dumbarton Oaks Research Library and Collection

Co-Sponsoring Organization(s): Princeton Univ. Numismatic Collection

Byzantine coins and seals survive in enormous numbers, and thus provide some of the most important sources of evidence for economic and administrative history, social and religious developments, onomastics and prosopography. This panel welcomes papers working on all aspects of coins and seals and although focusing on Byzantium is open to speakers working on materials from a comparative perspective.

 

The Red Sea in the Middle Ages

Organizer: Colin Whiting

Delivery Mode: Traditional in-person

Principal Sponsoring Organization: Dumbarton Oaks Research Library and Collection

This session focuses on the global medieval world using exchanges between the Eastern Mediterranean, the Red Sea, and the Indian Ocean as its basis. Papers will consider encounters that took place in Late Antiquity, when the northern Red Sea was under Roman rule, and especially the complex interplay between Byzantium, Arabic cultures, Africa, and the western Indian Ocean in the following centuries. Whether the Red Sea served as a commercial highway or as a hub for interconnected regional networks, it remains greatly important and yet understudied in medieval scholarship.

 

 

CFP – Medieval Ritual Representations | ICMA session at CAA 2024

Call for Papers: “Medieval Ritual Representations: Model of or Model for?” sponsored by the International Center of Medieval Art (ICMA), which will take place at CAA’s 112th Annual Conference (Chicago, February 14–17, 2024).
The deadline for submissions is August 31, 2023.

Session co-organizers:
Robert S. Nelson | Yale University
Alice Isabella Sullivan |Tufts University

This session considers illustrations of medieval secular and/or religious rituals in any media and fromany region or religious group. The goal is to understand the function and agency of representations, starting from the opposite poles of model or model for, as Clifford Geertz interpreted ritual. Some images may be evidence of “wie es eigentlich gewesen,” as von Ranke put it, and the reality of medieval performances; others may be aspirational, describing ideal rituals overlayed with the ideological and political. How can we discern the function of medieval illustrations? Are illustrations faithful to textual sources, and if not, why? To whom are these images addressed? Who sees them, when, and how? In sum, why illustrate medieval rituals? Papers may address representations of rituals from any corner of the medieval world, from all parts of Europe, the Mediterranean, and beyond, and from any religion, including Christianity, Judaism, Islam, and others.
Please submit a title, abstract (max. 500 words), and a brief 2-page CV by August 31, 2023 to:
robert[dot]nelson[at]yale[dot]edu and alice[dot]sullivan[at]tufts[dot]edu.
Please indicate “CAA proposal” in the subject line.

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