Assistant Professor in Art History, Texas Tech University

The Texas Tech University J.T. & Margaret Talkington College of Visual & Performing Arts, in collaboration with the School of Art, is accepting applications for a tenure-track faculty position as Assistant Professor in Art History. The successful candidate will begin service in this full- time position at the beginning of the 2022 fall semester.
Ph.D. in Art History or related disciplines with specialization in the pre-modern era (pre- 1600) that engages the artistic, visual, and material cultures of Europe in its intersectional encounters with the circum-Mediterranean, circum-Atlantic, or circum-Pacific. Degree must be conferred by August 2022. Successful candidates must demonstrate potential for sustained research and publication, and commitment to continual growth as an educator and researcher within a state university system. Candidates must be committed to quality education, serving diverse student populations, collaboration, and collegiality. The ideal candidate will exhibit familiarity with current trends in Art History, will have a record of effectiveness as an Instructor of Record, and will practice inclusive and equitable pedagogical strategies. The successful candidate will teach advanced undergraduate and graduate courses within their area(s) of specialization as well as the core curriculum pre- 1400 art history survey course.
The ideal candidate will work in a cross-cultural area of specialization that complements the faculty in our program and other campus-wide interdisciplinary initiatives at TTU, such as the Medieval and Renaissance Studies Center, the Hispanic World Working Group, and our local chapter of the Archaeological Institute of America. We are interested in candidates who possess demonstrable interest in art-historical methodology and historiography, and who can incorporate digital humanities or cross-cultural pedagogies. Candidates who have very strong records of scholarship supported by extramural funding and who have the proven capacity or clear potential to bring externally sponsored research to Texas Tech University are encouraged to apply.

TT-Position at Penn State: Early Christianity esp. in Africa and/or Near East

Assistant or Associate Professor in Early Christianity

The Department of Classics and Ancient Mediterranean Studies (CAMS) and the Program in Jewish Studies (https://cams.la.psu.edu ) at The Pennsylvania State University, University Park (https://psu.edu ), invite applications for the appointment of a tenure-track Assistant or Associate Professor in the field of early Christianity, beginning August 2022, or as agreed upon.

Responsibilities will involve a combination of teaching, research and service duties. The successful candidate is expected to teach broad survey courses that contribute to the General Education curriculum offered jointly by CAMS and Jewish Studies (e.g., New Testament; Early Christianity) and undergraduate courses in early Christian literature, history and special topics at all levels. Research will include the history and literature of early Christianity, with a focus on early Christianity in Africa (i.e., Egypt or Ethiopia) or the Near East where possible. Complementary areas of teaching or research specialization may include material culture, archaeology, race, or gender and sexuality. The department embraces the entire Mediterranean and Near Eastern world in antiquity and the successful candidate is expected to contribute to the dialogue across the fields of Classics and Ancient Mediterranean Studies and to the department’s study abroad programs. The successful candidate will also be expected to promote and advance the department’s commitment to diversity, equity and inclusion.

This position may be filled at the Assistant Professor or Associate Professor rank. Candidates for Assistant Professor must have a Ph.D. in Religious Studies, Near Eastern Studies, History, Classics, African Studies or related field in hand by the start date; expertise in one or more relevant ancient language (e.g., Greek, Ethiopic, Coptic, Syriac); evidence of scholarly publication and productivity; and at least two years of undergraduate-level teaching experience. Candidates for Associate Professor must have all aforementioned requirements as well as an additional two (for a minimum of four) years of undergraduate-level teaching experience.

Additional Information: Candidates should submit a letter of application, a curriculum vitae (including contact information for their three references), a sample of scholarly writing (no more than thirty pages), and a teaching portfolio online at https://hr.psu.edu/careers . In the cover letter, applicants should include a statement describing how they envision helping to foster an inclusive, equitable, and diverse campus community at Penn State. Candidates should also arrange to have three letters of recommendation submitted online at https://hr.psu.edu/careers . System limitations allow for a total of 5 documents (5mb per document) as part of your application. Please combine materials to meet the 5 document limit.

Review of applications will begin on November 16, 2021 and will continue until the position is filled. Preliminary interviews of selected candidates will be conducted by Zoom.

Mobility, Microstructures and Personal Agency in Byzantium. Lecture and Conference

Moving Byzantium: An International Conference

A public lecture and a three-day international conference mark six years of joint research by an international team on ‘Mobility, Microstructures and Personal Agency in Byzantium’ that was made possible by the award of the Wittgensteinpreis to Prof. Claudia Rapp (University of Vienna and Austrian Academy of Sciences).

The events may be followed online, after pre-registration. Program and registration links as follows:

Thursday, 18 November, 17.00-19.00, Grussworte, Rückblick (Rapp), Vortrag ‚Das Ende der Mobilität: der späte Attila und der Kollaps des Hunnenreiches‘ (Mischa Meier)  (in German)

https://www.byzneo.univie.ac.at/aktuelles/aktuelles/news/mobility-in-focus-byzantium/?tx_news_pi1%5Bcontroller%5D=News&tx_news_pi1%5Baction%5D=detail&cHash=f8aa636d9a5d552f2a0553b61e2063f3

Friday through Sunday, 19 to 21 November, 14.00 to 19.00

In this concluding conference (in English), the team members present aspects of their own research in dialogue with colleagues who are working on related topics. 

https://www.byzneo.univie.ac.at/aktuelles/aktuelles/news/moving-byzantium-international-conference/?tx_news_pi1%5Bcontroller%5D=News&tx_news_pi1%5Baction%5D=detail&cHash=752d72bf99e600b9c46a988399826077

Medieval Art, Modern Politics (CFP)

Medieval Art, Modern Politics
Volume editors: Brigitte Buettner and William Diebold
Deadline for submitting proposals (500-word abstract and a CV):  December 15, 2021
Anticipated submission of final texts: End of 2022
Historians of medieval art know that the buildings, objects, and images they study were often created for purposes that were overtly political. They have devoted less scholarly attention to a corollary: the political uses and misuses of medieval art after the Middle Ages. In some cases,  the same objects and sites that accrued ideological meanings during the Middle Ages did so again, if differently, in modern times (better known examples include the Bayeux Embroidery, the Horses of San Marco, the Bamberg Rider, the insignia of the Holy Roman Empire, the Crown of St. Stephen, and  Dome of the Rock).
This is a call for papers for a volume of essays that seeks to complicate our understanding of the afterlives of medieval art by concentrating on the politics of its reception. While the ideological instrumentalization of the Greco-Roman artistic legacy has been recounted many times and stories of the rediscovery of national antiquities in eighteenth-century Europe and the revival of Gothic art in the subsequent century are familiar, the use of the medieval legacy has tended to be framed as either an affair of taste or of intellectual and cultural histories. The way in which post-medieval regimes (whether monarchic, imperial, totalitarian, or progressive) or individuals have reframed specific medieval sites, artefacts, and iconographies still await detailed examination.
We invite papers that unpack instances of the uses and misuses of medieval art in various post-medieval contexts and directed towards different political goals. We encourage submissions that represent the full geographic and temporal scope of the medieval period. Possible questions to be addressed include: What messages were extracted from “Gothic” and “barbarian” antiquities that differed from the discourses retrojected into ancient or early modern art?  How were medieval visual creations literally and figuratively repositioned to serve modern political ends? What were  the impulses—aesthetic and ideological—that explain why modern regimes have found it useful, even necessary, to reinvest in the visual legacy of the Middle Ages?
Please direct all inquiries and submissions to Brigitte Buettner (bbuettne@smith.edu) and William Diebold (wdiebold@reed.edu). We will notify authors of the status of their proposal by January 15, 2022. We anticipate c. 8000-word essays and peer review. We are also planning a workshop-type gathering to comment on the papers before publication.

M. Alison Frantz Fellowship in Post-Classical studies at the Gennadius Library

THE M. ALISON FRANTZ FELLOWSHIP IN POST-CLASSICAL STUDIES AT THE GENNADIUS LIBRARY
Deadline: January 15, 2022

The M. Alison Frantz Fellowship, formerly known as the Gennadeion Fellowship in Post-Classical Studies, was named in honor of archaeologist, Byzantinist, and photographer M. Alison Frantz (1903–1995), a scholar of the post-classical Athenian Agora whose photographs of antiquities are widely used in books on Greek culture.

Fields of study: Late Antique through Modern Greek Studies, including but not limited to the Byzantine, Frankish, Post-Byzantine, and Ottoman periods.

Eligibility: Ph.D. candidates at a U.S. or Canadian institution or scholars holding a recent Ph.D. (up to five years) obtained from a U.S. or Canadian institution. Candidates should demonstrate their need to work in the Gennadius Library.

Terms: A stipend of $11,500 plus room and board in Loring Hall, and waiver of School fees. Fellows are expected to be in residence at the School for the full academic year from early September to late May. A final report is due at the end of the award period, and the ASCSA expects that copies of all publications that result from research conducted as a Fellow of the ASCSA be contributed to the Gennadius Library.

Application: Submit an online application form for the “M. Alison Frantz Fellowship in Post-Classical studies at the Gennadius Library.” An application consists of a curriculum vitae, description of the proposed project (up to 750 words), and three letters of reference to be submitted online. Student applicants must submit transcripts. Scans of official transcripts are acceptable.

The award will be announced by March 15.

Call for PhD Applicants, Liturgical Studies, University of Notre Dame

Call for PhD Applicants, Liturgical Studies
The Graduate School at the University of Notre Dame accepts up to two, funded (tuition scholarship + full stipend) PhD students per year in Liturgical Studies. The program in Liturgical Studies integrates three sub-disciplines: Liturgical History; Liturgical Theology; Ritual Studies.
The program offers a wide range of research opportunities with particular strengths in early and late antique Christian liturgy and material culture, medieval liturgy, history and theology of the sacraments, Eastern Christian traditions, ritual studies, and manuscript studies.
The Liturgical Studies program was founded in 1947 as the first graduate program in the Department of Theology and quickly grew to become an international center for the study of liturgy. Pioneers in the discipline who have taught at Notre Dame include Josef Jungmann, Louis Bouyer, Robert Taft, Paul Bradshaw, and many others. The program is currently comprised of eight faculty members and represents one of the largest concentrations of liturgical scholars at one place in the world.
In addition to its core strengths, Liturgical Studies offers a variety of opportunities for research collaboration with other institutions at Notre Dame, including the Medieval Institute, the Program in Sacred Music, other departments at the university (esp. History, Anthropology and Sociology) and other programs within the Theology Department, including Christianity and Judaism in Antiquity (CJA), the History of Christianity (HC), and Systematic Theology (ST), among others. PhD students in liturgical studies also have the opportunity to simultaneously pursue a graduate minor in a range of disciplines, including Medieval Studies, Byzantine Studies, Peace Studies, and Gender Studies. The Hesburgh Libraries system has extensive holdings in theology and one of the nation’s largest collections in medieval studies, including the Milton Anastos Collection. The Theology Department offers a broad range of ancient languages (Greek, Latin, Syriac, Hebrew, Coptic, among others). The Graduate School also has funding opportunities for students to conduct dissertation research abroad.
All applications must be submitted to the Graduate School by January 2, 2022. More information and a link to the online application may be found here:
For those without a Master degree, the Theology Department also offers a two-year Master of Theological Studies (MTS) with a concentration in Liturgical Studies, which is geared toward eventual PhD work in liturgy or other fields: https://theology.nd.edu/graduate-programs/mts/

Oxford University Byzantine Society – Call for Papers

Reshaping the World: Utopias, Ideals and Aspirations in Late Antiquity and Byzantium

24th International Graduate Conference of the Oxford University Byzantine Society

 25th—26th February 2022, in Oxford and Online

 

There is nothing better than imagining other worlds – he said – to forget the

painful one we live in. At least so I thought then. I hadn’t yet realized

that, imagining other worlds, you end up changing this one’.

– Umberto Eco, Baudolino

It is the creative power of imagination that Baudolino described to a fictionalised Niketas Choniates in this dialogue from Eco’s homonymous novel (2000). The creation of idealised imaginary worlds has the power to change the past, the present and the future. When imagination is directed towards more worldly goals, it becomes aspiration and such aspiration can influence policies of reform. When imagination is unrestrained, utopias are born.

The Oxford University Byzantine Society’s twenty-fourth International Graduate Conference seeks to explore the impact utopias, ideals and aspirations had in changing the course of history and, therefore, how imagined or alternative realities shaped the Late Antique and Byzantine world(s), broadly understood.

Our conference provides a forum for postgraduate and early-career scholars to reflect on this theme through a variety of cultural media and (inter)disciplinary approaches. In doing so, we hope to facilitate the interaction and engagement of historians, philologists, archaeologists, art historians, theologians and specialists in material culture. To that end, we encourage submissions encompassing, but not limited to, the following themes:

 

  • Theological and/or philosophical usage of utopias in the depictions of the ideal society, of the afterlife, or to serve a particular worldview;
  • Political, administrative, martial, economic and religious reforms as embodiments of aspirations or ideals;
  • Allegory as both a literary and philosophical tool that endowed texts with new and original meanings;
  • The ‘Byzantine novel’ and utopias: sceneries, characters and endings;
  • ‘Chivalry’ in Byzantium as a form of utopia, for example in works such as Digenis Akritis;
  • Language purism as a form of utopia;
  • Encomia, hagiography and historiography used to cater to and curate idealised images;
  • Numismatics, for example the depiction of harmonious imperial families on coinage in defiance of ‘reality’;
  • Gift-giving and exchange of luxury goods to communicate ideals or aspirations;
  • The performance of ceremony and ritual to suggest the continuity, legitimacy and permanence of imperial power;
  • The ideal city in various artistic media, for example frescos and manuscript illuminations;
  • Utopian ideas conveyed through material objects like seals or epigraphs;
  • Utopia and manuscript culture, for example the ‘perfect book’, illuminations of utopia/dystopia, and ‘idealised’ writing styles; and,
  • Byzantium as a utopia in the post-1453 imagination.

 

Please send an abstract of no more than 250 words, along with a short academic biography in the third person, to the Oxford University Byzantine Society by Friday 19th November 2021 at byzantine.society@gmail.com. Papers should be twenty minutes in length and may be delivered in English or French. As with previous conferences, selected papers will be published in an edited volume, chosen and reviewed by specialists from the University of Oxford. Speakers wishing to have their papers considered for publication should aim to be as close to the theme as possible in their abstract and paper. Nevertheless, all submissions are warmly invited.

To read the full text of the call for papers, please visit the OUBS website here: https://oxfordbyzantinesociety.wordpress.com/24th-oubs-international-graduate-conference-2022/

The conference will have a hybrid format, taking place both in Oxford and online. Accepted speakers are strongly encouraged to participate in person, but livestreamed papers are also warmly welcomed.

Alberto Ravani

James Cogbill

Arie Neuhauser

Tom Alexander

Byzantium at Ankara: Fall-Winter Seminar Series and Byzantine Music Workshop/Symposium, 11-12 November, 2021

We are happy to announce that Byzantium at Ankara is back with its brand new Fall-Winter Seminar Series.

On top of our “traditional” online lectures (scheduled for the month of December and featuring Dr. Elisa Tosi Brandi (University of Bologna) and Dr. Federica Broilo (University of Urbino), we are particularly proud of presenting students, scholars, and enthusiasts with an exciting initiative: a Workshop/Symposium on Byzantine Music entitled “Strolling through Echoes of the Past,” which will take place at Bilkent University on 11th and 12th November 2021. The Workshop/Symposium stems from a collaborative effort of Bilkent Saygun Center, Koç University-Stavros Niarchos Foundation, Bilkent Department of History, Byzantium at Ankara, Hacettepe University, and Hellenic Mediterranean University.

The event will include two morning sessions (in person) with the participation of students (max 15 due to Covid restrictions) who will be focusing on learning about Medieval and Byzantine music notation and chant under the supervision of Dr. Antonis Botonakis (Hellenic Mediterranean University).

We, therefore, invite students who are interested in participating in the workshops (to be held in the mornings of Thursday 10 and Friday 11 November at Bilkent University- FEASS Building, C Block Amphi) to register to abotonakis@hmu.gr. We regret that we could not offer accommodation or any reimbursement for travel expenses to those students who do not live or study in Ankara. Previous knowledge of Byzantine or Western notation is required.

These morning sessions will be followed by two afternoon sessions (hybrid) in which the world-famous composer Dimitri Terzakis, Cenk Güray, Alexander Lingas, and Antonis Botoniakis, among the others, will be delivering papers on Byzantine and Medieval Music Theory as well as on the influence of Ottoman culture on Modern Turkish and Greek music.

Dumbarton Oaks Fellowships and Grants in the Humanities, 2022-2023

Announcing Dumbarton Oaks Fellowships and Grants in the Humanities
2022-2023
Apply by November 1
Dumbarton Oaks Research Library and Collection is an institute in Washington, D.C., administered by the Trustees for Harvard University. It supports research and learning internationally in Byzantine, Garden and Landscape, and Pre-Columbian studies.
Fellowships
Fellowships are awarded to Byzantine, Garden and Landscape, and Pre-Columbian scholars on the basis of demonstrated scholarly ability and preparation of the candidate, including interest and value of the study or project, and the project’s relevance to the resources of Dumbarton Oaks.
Fellowships are awarded to scholars who hold a PhD or appropriate final degree at the time of application, or who have established themselves in their field, and wish to pursue their own research. Application deadline: November 1
Junior Fellowships are awarded to degree candidates who at the time of application have fulfilled all preliminary requirements for a PhD or appropriate final degree, and plan to work on a dissertation or final project while at Dumbarton Oaks, under the direction of a faculty member from their own university.
Application deadline: November 1
Dumbarton Oaks is delighted to announce three new fellowship awards this year:
The Flora Clancy Summer Fellowship in Maya Studies for Latin American Researchers is available to scholars in the field of Maya studies on any level of advancement beyond the first year of graduate study (post-Licenciatura) who are academically based in Mexico, Guatemala, Belize, Honduras, or El Salvador. Application deadline: November 1
The I Tatti–Dumbarton Oaks Joint Fellowship is available to early-career scholars whose work explores cross-cultural contacts in and beyond the late medieval and early modern Mediterranean. Application deadline: November 1
Summer Fellowships in Mellon Urban Humanities, “Landscapes of Civil and Human Rights” are available for scholars engaged in narratives and counternarratives of remembering, studying, and stewarding the legacy of civil rights histories and their place-narratives in the United States. Application deadline: November 1
Grants
Project Grants support scholarly projects by applicants holding a PhD or the equivalent. Support is generally for archaeological research, preservation of historic gardens, and the recovery, recording, and analysis of materials that would otherwise be lost.
Application deadline: November 1
Meet the 2021 – 2022 Dumbarton Oaks Scholars
Dumbarton Oaks is proud to announce our scholars, fellows, and project grants for 2021-2022. We invite you to learn more about our Fellowship community. Please visit the following for a listing of our fellows and grantees by department.

The Jacob Hirsch Fellowship

THE JACOB HIRSCH FELLOWSHIP
Deadline: January 15, 2022

Field of Study:  Archaeology

Eligibility:  U.S. or Israeli citizens who are either Ph.D. candidates writing their dissertations in archaeology, or early-career scholars (Ph.D. earned within the last five years) completing a project that requires a lengthy residence in Greece.

Terms:  Stipend of $11,500 plus room and board in Loring Hall, and waiver of School fees. A final report is due at the end of the award period, and the ASCSA expects that copies of all publications that result from research conducted as a Fellow of the ASCSA be contributed to the relevant library of the School.

Duration:  Commensurate with the School’s academic year, from early September to June 1.

Application: Submit online application form for “Associate Membership with Fellowship”, curriculum vitae, and a detailed description of the project to be pursued in Greece (250-word abstract and a statement up to three pages, single spaced). Arrange for three letters of recommendation. Student applicants are required to submit scans of official academic transcripts as part of the online application.

For more information about the application: https://www.ascsa.edu.gr/fellowships-and-grants

Questions? Contact: application@ascsa.org

The award will be announced March 15.

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