The Byzantinist Society of Cyprus lecture series Athanasios Markopoulos, “Education in Byzantium” (the lecture will be given in Greek: “Η Εκπαίδευση στα χρόνια του Βυζαντίου”). Thursday, 9 June at 19:00 (ΕΕΤ)
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The Department of Art History and Art at Case Western Reserve University invites graduate students to submit abstracts for the 2022 Annual Symposium, Recentering the Periphery: An Inclusive Future of Art History. This event, in partnership with FRONT International 2022: Cleveland Triennial for Contemporary Art (July 16-October 2, 2022) and Assembly for the Arts will take place over in a two-day collaborative event on September 16th and 17th. There will be opportunities to present scholarship, network with professionals, and engage in dialogues surrounding community engagement.
Current and recent graduate students in art history and related disciplines are invited to submit a 350-word abstract and a CV to email@example.com by Friday, June 24, 2022. Selected participants will be notified by the end of July. Presentations will be no more than 10-15 minutes in length, and accompanied by a PowerPoint. Presentations will be followed by a roundtable Q&A session to facilitate dialogue among panelists and the audience. Accepted presenters will be able to apply for partial need-based travel assistance.
Please see the attached Call for Papers for full information.
Luke Hester, Arielle Suskin, & Katharine Young
Co-Chairs, 2022 Cleveland Symposium
The Late Byzantine Mediterranean: Byzantine Connectivities, Experiences and Identities in a Fragmented World
2022 Virtual Byzantine Colloquium
Speros Vryonis, Jr. (1928-2019)
Elizabeth A. Zachariadou (1931-2018)
7-8 June 2022
Senate House, University of London
Gedenkveranstaltung für ao. Univ. Prof. Dr. Wolfram HÖRANDNER (1942-2021)
mit Vorträgen von
Panagiotis Agapitos / Johannes Gutenberg-Universität Mainz
Diskrete Innovation und handwerklicher Modernismus: Zum Werk von Wolfram Hörandner
Martin Hinterberger / Universität Zypern
Eine stille Revolution: Wolfram Hörandner zur byzantinischen Sprachkunst in Lehre und Forschung
Zeit: Montag, 23. Mai 2022, 16 Uhr s.t.
Ort:Erika Weinzierl-Saal, Hauptgebäude der Universität Wien, Universitätsring 1, 1010 Wien
Präsenzteilnahme: Anmeldung bei firstname.lastname@example.org
und online (Registrierung unbedingt erforderlich)
Southeast European Silversmithing: Liturgical Objects and the Construction of a Cultural, Technological and Iconographical Network in the Early Modern Period
The conference is scheduled to take place on 4th-5th November 2022. Due to the ongoing epidemiological situation, postponement until Spring 2023 is possible. The conference will be held at the Faculty of Philosophy, University of Belgrade, with the option of remote participation online.
To submit, please provide your full name, title, affiliation, and the theme of your conference paper with a 400 words abstract written in English. The deadline for submissions is 1st June 2022. You should also provide a short personal bio (max. 300 words) and photo for use on the conference website. Prospective conference participants will be notified if their paper has been accepted no later than by 10th June 2022. The conference will be held entirely in English. All information about the conference, including participants, proposal themes and abstracts will be made available on the conference website. A collection of papers is planned following the conference.
Society for the Promotion of Byzantine Studies (SPBS) and Austrian Association for Byzantine Studies (ÖBG) Joint Lecture
Tuesday, 24 May 2022 at 17:00 (London), 18:00 (Vienna) over Zoom
The Byzantine Empire and the Shape of Afro-Eurasia Today (and Tomorrow)
Dr Rebecca Darley (University of Leeds)
Between the fourth century and the eleventh, the Byzantine Empire was the hinge point in a power shift that continues to shape global geopolitics today. In the fourth century the Mediterranean was a Roman sea. Italy was closer culturally and politically to North Africa than to France or Germany, the Mediterranean coast of West Asia to Greece and even the Iberian peninsula than to southern Arabia. By the eleventh century the Mediterranean was divided more-or-less on a Northwest to Southeast axis between increasingly mutually self-defining Islamicate and Christian spheres. It was becoming increasingly normal for political leaders and social commentators to think of social solidarity being defined by this line and military mobilisation crossing it. This much has not gone unnoticed in world history, though it can too easily be re-imagined by politicians as an eternal state of affairs. The critical role that Byzantium played in this transformation, however, and the role that Byzantine studies has to play in understanding it has, however, been less well-explored. This lecture will examine Byzantium as a consistent challenge to efforts to define Europe, the world and the Mediterranean as a battleground between East and West, Muslim and Christian, ‘us’ and ‘other’.
Respondent: Dr Johannes Preiser-Kapeller (Austrian Academy of Sciences)
Via the Director’s Office, Dumbarton Oaks We write with great sadness to inform you that Susan A. Boyd, Curator emerita of the Byzantine collection at Dumbarton Oaks, passed away on May 5. A native of Washington, DC., Sue Boyd (as she was known to her colleagues) had a long and distinguished career at Dumbarton Oaks from 1963 to 2004. She started as Assistant for the Collection and was named Curator in 1979. Boyd curated or co-curated several exhibitions, including on “Gifts from the Byzantine Court,” on icons, and ivories. She was editor of the Byzantine collection publications and published widely on Byzantine art, especially early Christian liturgical silver plate, early Christian mural decoration of churches, and 12th-13th century Byzantine wall paintings. She was elected twice to the Governing Board of the Byzantine Studies Conference and was elected to the U.S. National Committee for Byzantine Studies in 1982.
At the beginning of her extraordinary tenure, Boyd met founder Mildred Bliss, and over four decades at Dumbarton Oaks she witnessed and contributed to developments such as the growth of public exhibitions, scholarly programs, and publications. Her unique perspective on the history of Dumbarton Oaks and the Byzantine collection is recorded in an oral history with former Museum Director Gudrun Bühl that can be found here (https://www.doaks.org/research/library-archives/dumbarton-oaks-archives/historical-records/oral-history-project/susan-a-boyd). Her involvement with the important Dumbarton Oaks-funded excavation and restoration projects in Istanbul and Cyprus is recorded in another oral history with the Image Collections and Fieldwork Archives here (https://www.doaks.org/research/library-archives/dumbarton-oaks-archives/historical-records/oral-history-project/susan-boyd-icfa).