Announcements

CFP: 2024 Conference of the Orthodox Canon Law Society of North America

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Call for Papers

The 2024 Conference of the Orthodox Canon Law Society of North America

Deadline: May 31, 2024

The Orthodox Canon Law Society of North America (OCLSNA) holds an annual forum for the presentation and discussion of papers on every aspect of Orthodox canon law and on related topics relevant to the discipline. Orthodox canon law includes the entire field of Eastern Christian canonical history and practice, including the Oriental and Eastern Catholic traditions. The discipline extends beyond the review of formal legislation and includes a vast scope of practice and literature. The canonical and legal life of the Church is reflected in such diverse areas as hagiography, liturgy, art, hymnography, and pastoral practice.

Conference attendance is open to all. Although blessed by Orthodox hierarchy, the society is academic in nature and not affiliated with any Orthodox jurisdiction or with the Assembly of Canonical Orthodox Bishops of the United States.

The society aims to foster growth in the study of the Orthodox canonical tradition by gathering scholars, professors, graduate students, attorneys, seminarians, and interested clergy in academic conferences to provide an avenue for the presentation of papers embodying current research in a professional setting.

The location of this year’s conference will take place on October 18–19, 2024 at the Maliotis Cultural Center located on the campus of Holy Cross Greek Orthodox School of Theology, 50 Goddard Avenue, Brookline, MA 02445.

The Program Committee invites proposals for papers on all topics and in all disciplines related to Orthodox canon law, as described above broadly construed. Scholars, professors, graduate students, attorneys, seminarians, and interested clergy are encouraged to contribute. Since the society is academic in nature, all are welcome to submit proposals without any consideration of denominational affiliation.

Paper proposals for the 2024 conference may be in the form of individual papers and complete panels. In both cases, abstracts for proposed papers must not exceed 500 words and must be written in a manner comprehensible to the members of the Program Committee. All proposed papers must be substantially original and, for the most part, not have been published previously. Each author is permitted to deliver only one paper at the conference.

Find more information, see the conference website: https://www.oclsna.org/conference

Online Lecture: Byzantium as Europe’s Black Mirror

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University of Silesia in Katowice post-doc positions

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Two new new post-doc positions have been announced at the University of Silesia in Katowice in the NCN OPUS project ‘Beyond the Sacred: Conceptions of Nature in Byzantium (4th-15th Centuries).’ Each position is for three years, with an option for a one-year extension. You will be working in a small yet friendly research group located in a newly renovated modern building in the centre of the city.

The remuneration is 8,986 PLN gross per month, along with a ’13th salary’ each year and holiday money. This compensation exceeds that of a professor and should be enough to live comfortably. The project also includes a budget for library trips (London, Paris), coverage of participation costs for the Congress in Vienna. You will also be entitled to University funding.
If you have any further questions, please contact:
If you want to learn first-hand how it is to work with us in Poland/Katowice, feel free to write to Tristan Schmidt: tristan.schmidt@us.edu.pl
Please note that different responsibilities are associated with each position.
———————————————————
Prof. Dr. Przemysław Marciniak
Hamburg Institute For Advanced Study
Hamburg University Fellow 2023/2024
Rothenbaumchaussee 45
20148 Hamburg
GermanyInstitute of Literary Studies
University of Silesia in Katowice
Uniwersytecka 4
40-007 Katowice
Poland

Xlab Unconference and edited volume

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We would like to invite you to attend the Carleton Cultural Heritage Informatics Collaboratory (XLab) 2024 unconference, being held at Carleton University in Richcraft Hall from April 2nd to 4th, 2024. We are offering hybrid workshops in cultural heritage informatics methods, as well as a keynote by Dr. Ethan Watrall of Michigan State University and the MSU Museum. The unconference format involves collaborating with fellow conference-goers on subjects of interest to you, to be organized and held in-situ as discussions and panels. This conference is free to attend in person or online; we ask that you let us know of your intention to attend at your earliest convenience through the XLab website at https://carleton.ca/xlab/xlab-confab/.

Funding for the XLab Confab is via Carleton’s participation in a SSHRC-funded Partnership Grant with the Computational Research in the Ancient Near East project, and a Carleton Multidisciplinary Catalyst Research Fund grant establishing the XLab.

Sincerely,

The XLab Confab Committee:

Dr. Shawn Graham, Katherine Davidson, Kavita Mistry and Scott Coleman.

 

Call for Papers

Please pass the following call for papers for our upcoming conference volume on Speculative Futures in Cultural Heritage Informatics on to graduate students researching, broadly speaking, cultural heritage-related themes:

You are a graduate student or early career researcher working at the intersection of cultural heritage informatics (CHI) and your discipline. You are at the forefront of a rapidly developing field. What does the future of CHI look like from your vantage point?

The XLab Confab committee invites you to contribute to our edited volume inspired by the upcoming unconference. Current details about the Confab are at the registration page here (https://carleton.ca/xlab/xlab-confab/) and details about the call for papers for the edited volume may be found here (https://carleton.ca/xlab/2024/call-for-papers-speculative-futures-in-cultural-heritage-informatics/).

The first two days of the confab are scheduled for workshops and an unconference. Dr. Ethan Watrall, who runs the cultural heritage informatics initiative at Michigan State University (https://ethan.watrall.org), will be joining us on both days, including a keynote address on the second day. Candidates who are invited to submit a chapter for the edited volume will also join us on the third day for a book sprint facilitated by Dr. Watrall and Dr. Shawn Graham, our lab’s PI. Short proposals of a few informal paragraphs should be submitted by February 15th 2024 on the registration page (https://carleton.ca/xlab/2024/call-for-papers-speculative-futures-in-cultural-heritage-informatics/).

While we continue to develop more details about the edited volume, we are happy to answer any questions you might have about the volume and Confab. We would be delighted to receive proposals from any interested graduate students working in this broad field.

Sincerely,

The XLab Confab Committee:

Dr. Shawn Graham, Katherine Davidson, Kavita Mistry and Scott Coleman.

 

Slavonic Metaphrasis of Byzantine Orthodoxy: PhD position in Leuven

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A fully-funded PhD position to carry out research on Byzantine and Slavonic florilegia and question-and-answer literature has been announced at KU Leuven:

PhD position Slavonic Metaphrasis of Byzantine Orthodoxy

The deadline for applying is 14 March.

Please do not hesitate to reach out should you have any questions or should you consider applying. Feel free to circulate the position in your network.

Posted on behalf of Lara Sels and Reinhart Ceulemans.

 

CFP: Projecting Poetry

Updated on by bsanacom

The TORCH Network Poetry in the Medieval World (University of Oxford) is delighted to introduce “Projecting Poetry”, an initiative designed to promote cross-disciplinary discussion, foster collaboration, and provide a platform for DPhil/PhD students engaged in research across various fields and working on medieval poetry. The goal is to create an opportunity to present ongoing research to a diverse audience of fellow students and seniors.

We invite submissions from DPhil/PhD students at the beginning of their programmes, conducting research in any field and working on poetry in any area and culture of the medieval world (chronological boundaries may be discussed with organisers); any methodological approach is welcome. We especially encourage submissions that aim to explore potential intersections between academic disciplines.

 

Submission Guidelines

  • Abstract: Please submit a 250-word abstract in English (PDF form) to ugo.mondini@mod-langs.ox.ac.uk, including the (working) research title, name, affiliation, and contact information.
  • Submission Deadline: Abstracts can be submitted any time during the academic year.
  • Extended Descriptions: If accepted, speakers should present a document in English (max. 1,500 words) and a title fifteen days before the seminar, with a more extensive description of their interests, research goals and, if they wish, of the challenges they face. This document will be shared with the seminar participants; therefore, it should be accessible to non-specialists.

 

Event Structure

  • Sessions will be organised online for non-Oxford students and in hybrid format during term time for Oxford participants.
  • Each speaker will have 20 minutes to present their research; a discussion follows. The event will be conducted in English.

 

Contact Information

For further information and inquiries, please get in touch with Ugo Mondini at ugo.mondini@mod-langs.ox.ac.uk.

Non-presenting seminar participants

If you want to take part in the seminars, both in person and online, please send an email to Ugo Mondini at ugo.mondini@mod-langs.ox.ac.uk with your name, affiliation, research interests, and contact information.

For more information about the network, see https://torch.ox.ac.uk/poetry-in-the-medieval-world. We also have a mailing list: send a blank email to poetrymedievalworld-subscribe@maillist.ox.ac.uk (now working!).

We look forward to receiving your submissions!

 

Best regards,

Ugo Mondini & the Network Team

 

Petition to save Religious Studies at UNCG

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Sent on behalf of Derek Krueger, UNC Greensboro:

Lecture: “India on the Red Sea: The Early Byzantine Awareness of East Africa and South Arabia”

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India on the Red Sea: The Early Byzantine Awareness of East Africa and South Arabia

February 15, 2024, from 6:00 to 7:00 p.m.

Dumbarton Oaks Public Lecture with Benjamin Garstad

From the late third and early fourth centuries we find a number of Greek and Latin texts that refer to a country at the southern reaches of the Red Sea as India and its inhabitants as Indians — in regions that had once been known uniformly as Ethiopia or Arabia. This novel usage recognized the rise of the kingdom of Axum in Abyssinia, as well as Himyar, her neighbour and rival across the straits, as a major regional power and the growing importance of the Red Sea to the Roman Empire as an avenue of trade, but also as a theatre for carrying on conflicts by proxy with the old enemy, Persia. Calling them Indians distinguished the Axumites and the Himyarites from their neighbours, perhaps in terms of language and appearance, but undoubtedly in terms of politics and religious adherence. The negus in Axum and the emperor in Constantinople tended to enjoy friendly relations and the Axumites, unlike the Nilotic peoples who continued to raid the Province of Egypt, were early converts to Christianity. The designation of Abyssinians and Yemenites as Indians appears to have originated with a narrative of primeval migration from the Indus to the headwaters of the Nile, presented by Philostratus as a past-life recollection in the Life of Apollonius and integrated by Eusebius of Caesarea into his Chronicle. It thus gives us a fascinating insight into the ways that people in the late antique Mediterranean generated geographic and ethnographic knowledge and came to understand new and exotic people in the world around them.

After completing his PhD at the University of St Andrews under the supervision of Karla Pollmann and teaching and conducting research at his alma mater, the University of Calgary, Brooklyn College, and Columbia University, Benjamin Garstad began working at MacEwan University in Edmonton, Alberta, where he is currently Professor of Classics. Most of his work concentrates on the interstices of myth and history and of historiography and fiction in late antique literature. He is the editor and translator of Pseudo-Methodius, Apocalypse; An Alexandrian World Chronicle in the Dumbarton Oaks Medieval Library (2012) and the author of Bouttios and Late Antique Antioch: Reconstructing a Lost Historian, published by Dumbarton Oaks in 2022.

Zoom registration: https://doaks-org.zoom.us/webinar/register/WN_wD4iEhuNQmm27L6ZPdPQLw#/registration

In person registration: https://www.eventbrite.com/e/public-lecture-in-byzantine-studies-tickets-803003574307?aff=oddtdtcreator

Caption: Waxeba (Axum), Copper, Coin (Uncertain Value), Uncertain Mint, circa 340-circa 400. Dumbarton Oaks, BZC.2009.014

Alt-text for obverse, same for reverse: Bust of a draped man facing right enclosed in a circle

Workshop: Rediscovering the Cultural Heritage of Upper Svaneti, Georgia

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Date: 26 July – 4 August 2024

Place: Georgia, Mestia

Application Deadline: 15 March 2024

Rediscovering the Cultural Heritage of Upper Svaneti, Georgia is a ten-day International Cultural Workshop organized by Ivane Javakhishvili Tbilisi State University Institute of Art History and Theory with the support of the United States Embassy in Georgia. The Workshop welcomes young researchers of any nationality in the History of Art (with preference given to Byzantine or Medieval) at the Master’s and Doctoral levels.

The aim of the Workshop is to explore the cultural heritage of Svaneti, one of the most outstanding regions of Georgia. Not only does Svaneti boast breathtaking, majestic landscapes, but also an extraordinary cultural heritage from the medieval past. These include domestic architecture, towers and churches, a great multitude of frescoes, painted and revetted icons, pre-altar crosses and illuminated manuscripts, preserved in village churches and in two very fine local museums. In sum, it is a unique opportunity to study art and architecture scarcely know to researchers in the West, and to witness the ongoing coexistence of Christian and pre-Christian folk traditions. The remoteness of this region makes it a real treasury of medieval art, with works of medieval art and architecture that survive only in this region.

The Workshop will be include field research, discussion, and presentations. Together, participants will visit and examine monuments of religious and secular architecture, wall and panel painting, metalwork, and manuscript illumination.

The language of the program is English.

Application information:

Date: 26 July – 4 August 2024

Destination: Mestia, Svaneti

Deadline for applications: 15 March 2024

Description
This project takes place in Upper Svaneti, the spectacular mountainous region of Western Georgia,
which not only has an abundance and variety of cultural heritage, but also a unique way of life.
Even today, the local population preserves various pre-Christian beliefs and rituals. In Upper
Svaneti, medieval churches and residences with defense towers have been preserved in their
original forms. Almost all these churches are decorated with paintings, and original treasuries are
kept in most of them: medieval painted and revetted icons, crosses, ecclesiastic vessels created in
local workshops or many other regions of the Christian East and the West. Exposure to this
extraordinary material will provide all students of medieval art with an entirely new perspective on
their field.

The ten-day workshop will enable ten PhD and MA students to visit significant monuments of
cultural heritage in Upper Svaneti, to take part in discussions on-site, and to engage in various field
activities.

The workshop will be held in English.

The International Cultural Workshop is organized by the Institute of Art History and Theory at
Ivane Javakhishvili Tbilisi State University, in cooperation with the College of Arts & Sciences at
Syracuse University and the Art History Department at Rutgers, the State University of New Jersey.
The project partner is the Svaneti Museum of History and-Ethnography.

The International Cultural Workshop (RCHUS) is funded under the US Embassy Georgia Cultural
Small Grants Program.

Application period
22 January to 15 March 2024 (00:00/Georgian Time Zone: UTC + 4)
The selection results will be announced on 8 April.

Eligibility
Applicants of any nationality must currently be enrolled in an MA or PhD program in Medieval or
Byzantine art history or a related field.

Documents to be submitted:
– Application form with other three documents:
– Curriculum vitae (with list of publications/presentations, maximum 3 pages)
– Cover letter outlining interest in the program (maximum 300 words)
– Recommendation letter

The application must be in English.

See here for Application form: https://forms.gle/GLAacswWY5VBHDrk7

Fees and Funding
The International Cultural Workshop (RCHUS) is free of charge: will cover travel from Tbilisi to
Mestia, field trips, hotel accommodation and meals in Upper Svaneti.

The workshop participants must cover their own international flights to and from Georgia, and
hotel accommodation in Tbilisi. However, there are limited funds for participating students in the
project budget for partial covering the international transportation and accommodation in Tbilisi.
Please clarify your need for funding on your Application form.

For further information, please contact: svaneti.workshop@gmail.com

 

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